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Genre Guides

EDM Genre Chart

Mainstream club EDM usually sits around 100-180 BPM, with house at 115-132 BPM, techno at 130-150 BPM, trance at 128-150 BPM, dubstep near 138-142 BPM, and drum & bass at 160-180 BPM. This wider electronic music chart spans roughly 60-350+ BPM when ambient, vaporwave, terrorcore, and speedcore are included, and maps the BPM range and typical tempo for 150+ genres and sub-genres.

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Genre families
29
Sub-genres mapped
174
BPM span
60-350
Showing
29 families

Expand a family to see every sub-genre with its BPM range and typical tempo.

60180350
Wave
70-90
Gqom
120-130
Trip-Hop
70-100
Jersey Club
130-145
Baltimore Club
130-140
Philly Club
130-145

Next stepThis chart sorts genres by BPM. Vibes lets you cut across genre entirely and tag your library by mood and energy instead. Vibe organization in Vibes

EDM tempo

What BPM Is EDM?

EDM has no single BPM. It spans roughly 60 BPM ambient and downtempo through 350+ BPM speedcore, while most club-oriented EDM sits around 100-180 BPM. Use the chart below to compare house, techno, trance, dubstep, drum & bass, hardstyle, and 150+ related genres.

Style comparison

Electro Music Tempo: Electro vs Electro House

Classic electro usually sits around 110-135 BPM, with many tracks near 120-128 BPM. Electro house is different: it is a house subgenre usually around 125-135 BPM, centered near 128 BPM. Classic electro is built around TR-808 syncopation, robotic vocals, and funk or early hip-hop rhythm; electro house uses four-on-the-floor house drums, heavier bass, and build-drop arrangements.

Electro vs electro house tempo comparison
StyleBPM RangeTypical BPMHow to Identify It
Electro110-135128TR-808 syncopation, robotic vocals, funk and early hip-hop roots.
Electrofunk110-130120Early electro-funk with talkbox vocals, 808 bass, and P-funk DNA.
Detroit Electro120-135128Sci-fi electro with cold synths, aquatic themes, and machine-funk drums.
Electroclash118-130124Retro-electro mixed with new wave vocals, punk attitude, and analog synths.
Electro House125-135128A house subgenre with four-on-the-floor drums, heavy bass, and festival drops.

Full reference

Complete EDM Genre BPM Reference

60 BPM350 BPM
115–132 · typical 125
Chicago House
118–128 · typical 122
118–125 · typical 122
124–128 · typical 126
126–132 · typical 128
Acid House
120–130 · typical 125
Electro House
126–132 · typical 128
Funky House
122–128 · typical 125
French House
118–128 · typical 124
Disco House
118–126 · typical 122
Soulful House
120–128 · typical 124
Garage House
122–128 · typical 125
Future House
124–128 · typical 126
Bass House
124–130 · typical 128
G-House
124–128 · typical 126
Big Room House
126–132 · typical 128
Tropical House
100–118 · typical 110
Slap House
110–125 · typical 120
Brazilian Bass
120–128 · typical 124
Microhouse
120–128 · typical 124
Hard House
140–150 · typical 145
Italo House
118–128 · typical 122
Latin House
122–128 · typical 125
Ghetto House
130–150 · typical 135
Jackin' House
124–128 · typical 126
Outsider House
115–128 · typical 120
Lo-Fi House
115–125 · typical 120
120–128 · typical 124
Afro-Tech
122–128 · typical 125
115–124 · typical 122
118–126 · typical 122
Tribal House
124–130 · typical 126
130–150 · typical 138
Detroit Techno
128–140 · typical 135
125–135 · typical 130
Industrial Techno
135–150 · typical 142
Acid Techno
130–145 · typical 138
Dub Techno
120–135 · typical 128
145–160 · typical 150
Schranz
145–160 · typical 150
Birmingham Techno
130–142 · typical 135
Peak Time Techno
132–140 · typical 135
Raw Techno
130–142 · typical 135
Hypnotic Techno
130–142 · typical 135
Bleep Techno
120–130 · typical 125
Tribal Techno
130–138 · typical 134
Ambient Techno
100–130 · typical 120
Broken Techno
125–138 · typical 130
122–132 · typical 126
110–135 · typical 128
Electrofunk
110–130 · typical 120
Detroit Electro
120–135 · typical 128
Miami Bass
120–145 · typical 130
Electroclash
118–130 · typical 124
130–150 · typical 140
130–150 · typical 140
Skweee
80–110 · typical 95
128–150 · typical 138
Uplifting Trance
136–142 · typical 138
128–136 · typical 132
Vocal Trance
132–140 · typical 138
Tech Trance
135–145 · typical 140
Hard Trance
140–150 · typical 145
Acid Trance
135–145 · typical 140
Dream Trance
130–140 · typical 135
Balearic Trance
118–128 · typical 124
Orchestral Uplifting
138–142 · typical 140
140–150 · typical 145
140–150 · typical 145
Full-On Psytrance
140–148 · typical 145
Forest / Dark Psytrance
145–160 · typical 148
Hi-Tech Psytrance
170–220 · typical 200
144–156 · typical 150
148–160 · typical 152
130–140 · typical 135
126–140 · typical 132
145–155 · typical 150
Suomisaundi
140–160 · typical 150
Psybreaks
130–150 · typical 140
160–180 · typical 174
160–180 · typical 170
170–178 · typical 174
Atmospheric D&B
165–175 · typical 172
Neurofunk
170–178 · typical 174
Techstep
168–178 · typical 174
Jump Up
170–178 · typical 174
Darkstep
170–180 · typical 174
Crossbreed
175–200 · typical 185
Halftime
170–180 · typical 174
Drumfunk
170–178 · typical 174
Minimal D&B
168–176 · typical 172
Ragga Jungle
160–180 · typical 170
Drumstep
140–150 · typical 140
168–176 · typical 172
160–172 · typical 165
Sambass
170–180 · typical 174
155–165 · typical 160
Juke
155–165 · typical 160
138–142 · typical 140
Deep Dubstep
138–142 · typical 140
Brostep
140–150 · typical 145
Riddim
140–150 · typical 145
Melodic Dubstep
138–150 · typical 140
Tearout Dubstep
140–150 · typical 145
140 / Deep Bass
138–142 · typical 140
Future Garage
130–140 · typical 135
Post-Dubstep
130–140 · typical 135
Wonky
130–140 · typical 135
Chillstep
138–142 · typical 140
Grime
135–145 · typical 140
130–160 · typical 150
Kawaii Future Bass
140–160 · typical 150
Color Bass
140–150 · typical 145
Glitch Hop
100–115 · typical 108
130–150 · typical 140
Hard Trap
140–150 · typical 145
Festival Trap
140–150 · typical 145
Hybrid Trap
140–150 · typical 145
140–200 · typical 160
130–180 · typical 160
Trapwave
130–150 · typical 140
110–150 · typical 130
Drift Phonk
140–165 · typical 150
Memphis Phonk
70–90 · typical 80
House Phonk
130–145 · typical 138
Brazilian Phonk
130–150 · typical 140
100–126 · typical 118
Midtempo Bass
100–115 · typical 110
Bouncy Midtempo
110–126 · typical 120
Cinematic Midtempo
90–110 · typical 100
Industrial Midtempo
100–115 · typical 110
Phonkstep / Phonk Midtempo
100–115 · typical 108
70–90 · typical 80
120–140 · typical 130
Big Beat
110–140 · typical 130
Florida Breaks
130–140 · typical 135
Nu-Skool Breaks
125–135 · typical 130
150–180 · typical 170
Progressive Breaks
128–138 · typical 132
128–135 · typical 130
2-Step Garage
128–135 · typical 132
Speed Garage
130–140 · typical 135
Bassline / Niche
134–142 · typical 138
UK Funky
128–135 · typical 130
160–200 · typical 175
Gabber
160–200 · typical 180
Early Hardcore
150–165 · typical 160
Happy Hardcore
160–180 · typical 170
UK Hardcore
170–185 · typical 175
Frenchcore
200–220 · typical 210
Speedcore
250–350 · typical 280
Terrorcore
200–300 · typical 240
Breakcore
160–220 · typical 180
Industrial Hardcore
175–200 · typical 185
Mainstream Hardcore
150–180 · typical 170
150–160 · typical 155
Euphoric Hardstyle
150–155 · typical 150
Rawstyle
150–160 · typical 155
Xtra Raw
150–165 · typical 158
Reverse Bass
150–155 · typical 150
Nu-Style Hardstyle
140–150 · typical 145
Dubstyle
140–150 · typical 145
140–155 · typical 150
Uptempo Hardcore
165–200 · typical 180
100–115 · typical 108
85–100 · typical 92
110–130 · typical 120
Moombahcore
110–130 · typical 115
108–118 · typical 112
100–115 · typical 108
95–112 · typical 105
Gqom
120–130 · typical 125
100–125 · typical 118
Italo Disco
110–130 · typical 120
Hi-NRG
130–150 · typical 135
Disco
100–130 · typical 118
130–145 · typical 140
105–120 · typical 112
110–130 · typical 120
80–115 · typical 100
Outrun
80–115 · typical 100
Darksynth
90–130 · typical 110
Vaporwave
60–90 · typical 75
Chillwave
80–110 · typical 95
IDM
90–160 · typical 130
Glitch
100–150 · typical 130
Drill 'n' Bass
150–180 · typical 170
Braindance
90–160 · typical 130
Ambient IDM
60–100 · typical 80
EBM
110–140 · typical 130
Aggrotech
130–150 · typical 140
Industrial
100–140 · typical 125
60–120 · typical 90
Dark Ambient
60–80 · typical 70
Drone
60–80 · typical 60
80–115 · typical 95
Chillout / Lounge
80–105 · typical 95
60–110 · typical 90
70–95 · typical 85
70–100 · typical 90
130–145 · typical 140
Baltimore Club
130–140 · typical 135
Philly Club
130–145 · typical 140

Related BPM Tools

Once you know the target BPM for a genre, use the BPM to milliseconds converter to dial in delay and reverb times, the half-time and double-time BPM calculator to bridge tempo gaps between tracks, or the pitch-to-tempo calculator when nudging a track to match the BPM of another. For a broader map of genre relationships, see the music genre tree.

How to Use This Chart

  • The colored bar shows the typical BPM range: wider bars mean more tempo variation within the genre
  • The thin vertical line marks the "sweet spot" tempo most tracks fall around
  • Genres with overlapping BPM ranges are natural mixing partners
  • Use the genre search or BPM finder to quickly compare sub-genres

How These BPM Ranges Are Chosen

These BPM ranges are practical DJ and producer ranges, not hard genre rules. Many tracks use half-time or double-time feel, and genre labels are better identified by tempo plus drum pattern, rhythmic feel, bass design, sound palette, and historical context. Use the chart as a fast reference for organizing, selecting, and mixing tracks, then trust the actual groove of the record.

Continue exploring

Browse Genre and BPM References

Use the chart to spot the tempo zone, then jump into the exact reference page for a genre, a genre-family BPM chart, or tracks around a specific BPM.

BPM

Track examples near common tempos for planning a set arc.

Slow and warmup

60-100 BPM

Open-format bridge

105-124 BPM

Club center

126-145 BPM

Fast and rave

150-200 BPM
Ben Modigell

Hey, it's Ben Modigell 👋

I've been DJing and producing music as "so I so," focusing on downtempo, minimal, dub house, tech house, and techno. My background in digital marketing, web development, and UX design over the past 6 years helps me create DJ tutorials that are clear, practical, and easy to follow.

DJingMusic ProductionTech HouseMinimal HouseDigital MarketingWeb DevelopmentUX Design

Methodology

Last updated

Author and Methodology

Maintained by Ben Modigell, founder of Vibes. Ben builds DJ library, preparation, BPM, and harmonic-mixing tools for working DJs.

Source
Audio features sourced from ReccoBeats (https://reccobeats.com); track metadata via Spotify Search API. Spotify deprecated audio-features for new apps in Nov 2024. Manual label reference tracks use Beatport BPM/key metadata where available.
Evidence
150+ genre and sub-genre ranges from the Vibes taxonomy, linked to the full generated genre, BPM chart, key, and tracks-at-BPM index.
How this page is made
Tool pages are built from reusable page logic, internal DJ reference data, and visible on-page calculations. Programmatic reference pages are generated from structured data rather than hand-written one by one.

This chart is a DJ planning reference. Genre ranges overlap, and tracks may use halftime or doubletime feel, so always verify the actual track groove before a set.

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Frequently Asked Questions

Most mainstream club EDM sits around 100-180 BPM. The wider electronic music chart spans roughly 60-350+ BPM when ambient, vaporwave, terrorcore, and speedcore are included. Common DJ ranges include house at 115-132 BPM, techno at 130-150 BPM, trance at 128-150 BPM, dubstep near 138-142 BPM, and drum & bass at 160-180 BPM.
Classic electro usually sits around 110-135 BPM, with many tracks near 120-128 BPM. Electro house is different: it is a house subgenre usually around 125-135 BPM, centered near 128 BPM, with four-on-the-floor drums and heavier bass.
Among mainstream dance genres, drum and bass is one of the fastest at 160-180 BPM. Hardcore and gabber often reach 160-200+ BPM, frenchcore sits around 200-220 BPM, and extreme styles like terrorcore and speedcore can push from 200 BPM to 350+ BPM.
Ambient electronic music can be beatless or sit around 60-120 BPM when a pulse is present, while downtempo sits around 80-115 BPM. Among danceable club genres, tropical house (100-118 BPM), lo-fi house (115-125 BPM), and deep house (118-125 BPM) are on the slower side.
140 BPM sits in the overlap of several genres: dubstep (138-142 BPM), techno (130-150 BPM), trance (128-150 BPM), breakbeat (120-140 BPM), Jersey Club (130-145 BPM), and harder styles like nu-style hardstyle or dubstyle (140-150 BPM). The genre depends on the rhythmic pattern and production style, not just tempo.