House BPM Chart
Visual BPM chart for House: core DJ range 115-132 BPM, practical target 125 BPM, and 31 sub-genres. Use it to plan tempo transitions and identify mixing partners.
House BPM Reference
House: 115-132 BPM, typical 125 BPM.
| Genre | BPM Range | Typical BPM | Notes |
|---|---|---|---|
| House | 115-132 | 125 | The foundation of electronic dance music, born in Chicago in the early 1980s. Characterized by a steady four-on-the-floor kick drum pattern, synthesized basslines, and soulful vocals. |
| Tropical House | 100-118 | 110 | Slow, sun-soaked house with marimba/steel-drum leads, panflutes, and tropical instrumentation. Popularized by Kygo, Thomas Jack, and Matoma in 2014–2016. |
| Slap House | 110-125 | 120 | Plucked, slap-bass-driven house with downtempo trap-influenced energy. Brazilian Bass evolution: Imanbek, VIZE, Alok. Massive in 2019–2021. |
| Outsider House | 115-128 | 120 | Raw, lo-fi, outsider-art house from labels like L.I.E.S., Mood Hut, and 1080p. DJ Sotofett, Huerco S., Anthony Naples. Tape hiss and DIY production aesthetics. |
| Lo-Fi House | 115-125 | 120 | Raw, tape-saturated house with intentionally degraded sound quality. Vintage samples, dusty drums, and DIY aesthetic. Ross From Friends, DJ Boring, Mall Grab. |
| Chicago House | 118-128 | 122 | The original house sound from clubs like The Warehouse and Music Box. Drum machine patterns (TR-707, TR-909), Roland bass, and disco DNA. Pioneered by Frankie Knuckles, Marshall Jefferson, and Larry Heard. |
| Deep House | 118-125 | 122 | A smoother, more atmospheric take on house. Warm pads, jazzy chords, and subdued vocals create a hypnotic, late-night feel. |
| Disco House | 118-126 | 122 | House built on disco loops and live instrumentation feel. Strings, horns, slap bass, and four-on-the-floor uplift. Overlaps with French and funky house. |
| Italo House | 118-128 | 122 | Late-80s Italian house with piano stabs, female diva vocals, and synth strings. Black Box's 'Ride on Time' and 49ers epitomize the sound. |
| Organic House | 115-124 | 122 | Layered, percussive, melody-soft house championed by labels like All Day I Dream and Crosstown Rebels. Bedouin, Sébastien Léger, Tinlicker, Bona Fide. Subtle, warm, organic textures over deep grooves. |
| Melodic House | 118-126 | 122 | Anjunadeep-adjacent, emotional, melody-led house. Innellea, Massano, Cassian, Anyma, Argy. Distinct from melodic-techno: groovier, slightly slower, more song-like. |
| French House | 118-128 | 124 | Filter-driven house pioneered by Daft Punk, Cassius, Stardust, and the Ed Banger crew. Heavily filtered disco and funk samples, sidechain pumping, and phaser sweeps. |
| Soulful House | 120-128 | 124 | House with gospel-rooted vocals, jazzy keys, and live-feel arrangements. Defined by labels like Defected, Soulfuric, and artists like Louie Vega and Kerri Chandler. |
| Brazilian Bass | 120-128 | 124 | São Paulo–born deep house variant with prominent slappy bass and minimal arrangement. Alok, Bhaskar, and Vintage Culture defined the sound that birthed slap house globally. |
| Microhouse | 120-128 | 124 | Glitchy, micro-sampled minimal house pioneered by Akufen, Ricardo Villalobos, and the Perlon/Kompakt circle. Granular textures and click-house grooves. |
| Afro House | 120-128 | 124 | Fuses house music with African rhythms, percussion, and melodic elements. Rich in polyrhythmic patterns and organic instrumentation. Black Coffee, Keinemusik. |
| Acid House | 120-130 | 125 | Defined by the squelchy, resonant sound of the Roland TB-303 bass synthesizer. A pivotal genre in rave culture. |
| Funky House | 122-128 | 125 | Infuses house with funk and disco elements. Groovy basslines, filtered samples, and uplifting energy. |
| Garage House | 122-128 | 125 | The New York/New Jersey vocal house sound from Paradise Garage and Tony Humphries era. Soulful, gospel-tinged vocals over swung drums. Direct ancestor of UK garage. |
| Latin House | 122-128 | 125 | House laced with congas, timbales, and Latin/salsa percussion. DJ Disciple, Erick Morillo, Roger Sanchez crossover sound. |
| Afro-Tech | 122-128 | 125 | Tech house variant with African percussion layers, log drums, and organic textures. Sits between Afro House and tech house: Themba, Black Motion sound. |
| Tech House | 124-128 | 126 | Blends house groove with techno's minimalism. Punchy percussion, rolling basslines, and stripped-back arrangements dominate the dancefloor. |
| Future House | 124-128 | 126 | Bouncy, metallic-bass house pioneered by Tchami, Oliver Heldens, and Don Diablo. Mid-2010s Spinnin'/Mixmash sound bridging UK garage swing and big-room drops. |
| G-House | 124-128 | 126 | Gangsta-house: tech house with West Coast hip-hop samples and gangsta rap acapellas. Pioneered by AC Slater, Amine Edge & DANCE, and the Night Bass label. |
| Jackin' House | 124-128 | 126 | Cut-up disco-loop house with chopped vocal stabs and bouncy swung drums. Strictly Rhythm/Defected territory. The 'jacking' references original Chicago house dance. |
| Tribal House | 124-130 | 126 | Percussion-heavy house with congas, djembes, bongos, and chant vocals. Pier Bucci, DJ Chus, Stephan Hinz territory. Different from Afro House: tribal is more global drum focused. |
| Progressive House | 126-132 | 128 | Long, evolving builds and breakdowns with layered melodies. Tracks develop gradually over 7-10 minutes with emotional peaks. |
| Electro House | 126-132 | 128 | Big, distorted basslines and aggressive synth leads. High-energy festival sound with dramatic drops. Distinct from classic 'electro' (electrofunk). |
| Bass House | 124-130 | 128 | Aggressive, bass-forward house drawing from UK bassline and dubstep. AC Slater, Joyryde, Habstrakt territory. Heavy mid-range growls over four-on-the-floor. |
| Big Room House | 126-132 | 128 | Stripped-down festival house built around massive kick-driven drops. Hardwell, Martin Garrix, W&W era of Mainstage EDM at Tomorrowland and Ultra. |
| Ghetto House | 130-150 | 135 | Raw, sexually explicit Chicago house with stripped 808/909 patterns. Dance Mania label sound: DJ Funk, DJ Deeon. Direct precursor to juke and footwork. |
| Hard House | 140-150 | 145 | UK rave-era hard house with pumping kicks, hoover synths, and crowd-rallying energy. Tidy Trax, Trade nightclub heritage. Tony De Vit, BK, Lisa Lashes. |
vibesdj.io/dj-tools - BPM ranges are practical DJ references, not strict genre boundaries.
House
The foundation of electronic dance music, born in Chicago in the early 1980s. Characterized by a steady four-on-the-floor kick drum pattern, synthesized basslines, and soulful vocals.
Sub-genre BPM landscape
House sub-genres
Chicago House
118–128The original house sound from clubs like The Warehouse and Music Box. Drum machine patterns (TR-707, TR-909), Roland bass, and disco DNA. Pioneered by Frankie Knuckles, Marshall Jefferson, and Larry Heard.
Deep House
118–125A smoother, more atmospheric take on house. Warm pads, jazzy chords, and subdued vocals create a hypnotic, late-night feel.
Tech House
124–128Blends house groove with techno's minimalism. Punchy percussion, rolling basslines, and stripped-back arrangements dominate the dancefloor.
Progressive House
126–132Long, evolving builds and breakdowns with layered melodies. Tracks develop gradually over 7-10 minutes with emotional peaks.
Acid House
120–130Defined by the squelchy, resonant sound of the Roland TB-303 bass synthesizer. A pivotal genre in rave culture.
Electro House
126–132Big, distorted basslines and aggressive synth leads. High-energy festival sound with dramatic drops. Distinct from classic 'electro' (electrofunk).
Funky House
122–128Infuses house with funk and disco elements. Groovy basslines, filtered samples, and uplifting energy.
French House
118–128Filter-driven house pioneered by Daft Punk, Cassius, Stardust, and the Ed Banger crew. Heavily filtered disco and funk samples, sidechain pumping, and phaser sweeps.
Disco House
118–126House built on disco loops and live instrumentation feel. Strings, horns, slap bass, and four-on-the-floor uplift. Overlaps with French and funky house.
Soulful House
120–128House with gospel-rooted vocals, jazzy keys, and live-feel arrangements. Defined by labels like Defected, Soulfuric, and artists like Louie Vega and Kerri Chandler.
Garage House
122–128The New York/New Jersey vocal house sound from Paradise Garage and Tony Humphries era. Soulful, gospel-tinged vocals over swung drums. Direct ancestor of UK garage.
Future House
124–128Bouncy, metallic-bass house pioneered by Tchami, Oliver Heldens, and Don Diablo. Mid-2010s Spinnin'/Mixmash sound bridging UK garage swing and big-room drops.
Bass House
124–130Aggressive, bass-forward house drawing from UK bassline and dubstep. AC Slater, Joyryde, Habstrakt territory. Heavy mid-range growls over four-on-the-floor.
G-House
124–128Gangsta-house: tech house with West Coast hip-hop samples and gangsta rap acapellas. Pioneered by AC Slater, Amine Edge & DANCE, and the Night Bass label.
Big Room House
126–132Stripped-down festival house built around massive kick-driven drops. Hardwell, Martin Garrix, W&W era of Mainstage EDM at Tomorrowland and Ultra.
Tropical House
100–118Slow, sun-soaked house with marimba/steel-drum leads, panflutes, and tropical instrumentation. Popularized by Kygo, Thomas Jack, and Matoma in 2014–2016.
Slap House
110–125Plucked, slap-bass-driven house with downtempo trap-influenced energy. Brazilian Bass evolution: Imanbek, VIZE, Alok. Massive in 2019–2021.
Brazilian Bass
120–128São Paulo–born deep house variant with prominent slappy bass and minimal arrangement. Alok, Bhaskar, and Vintage Culture defined the sound that birthed slap house globally.
Microhouse
120–128Glitchy, micro-sampled minimal house pioneered by Akufen, Ricardo Villalobos, and the Perlon/Kompakt circle. Granular textures and click-house grooves.
Hard House
140–150UK rave-era hard house with pumping kicks, hoover synths, and crowd-rallying energy. Tidy Trax, Trade nightclub heritage. Tony De Vit, BK, Lisa Lashes.
Italo House
118–128Late-80s Italian house with piano stabs, female diva vocals, and synth strings. Black Box's 'Ride on Time' and 49ers epitomize the sound.
Latin House
122–128House laced with congas, timbales, and Latin/salsa percussion. DJ Disciple, Erick Morillo, Roger Sanchez crossover sound.
Ghetto House
130–150Raw, sexually explicit Chicago house with stripped 808/909 patterns. Dance Mania label sound: DJ Funk, DJ Deeon. Direct precursor to juke and footwork.
Jackin' House
124–128Cut-up disco-loop house with chopped vocal stabs and bouncy swung drums. Strictly Rhythm/Defected territory. The 'jacking' references original Chicago house dance.
Outsider House
115–128Raw, lo-fi, outsider-art house from labels like L.I.E.S., Mood Hut, and 1080p. DJ Sotofett, Huerco S., Anthony Naples. Tape hiss and DIY production aesthetics.
Lo-Fi House
115–125Raw, tape-saturated house with intentionally degraded sound quality. Vintage samples, dusty drums, and DIY aesthetic. Ross From Friends, DJ Boring, Mall Grab.
Afro House
120–128Fuses house music with African rhythms, percussion, and melodic elements. Rich in polyrhythmic patterns and organic instrumentation. Black Coffee, Keinemusik.
Afro-Tech
122–128Tech house variant with African percussion layers, log drums, and organic textures. Sits between Afro House and tech house: Themba, Black Motion sound.
Organic House
115–124Layered, percussive, melody-soft house championed by labels like All Day I Dream and Crosstown Rebels. Bedouin, Sébastien Léger, Tinlicker, Bona Fide. Subtle, warm, organic textures over deep grooves.
Melodic House
118–126Anjunadeep-adjacent, emotional, melody-led house. Innellea, Massano, Cassian, Anyma, Argy. Distinct from melodic-techno: groovier, slightly slower, more song-like.
Tribal House
124–130Percussion-heavy house with congas, djembes, bongos, and chant vocals. Pier Bucci, DJ Chus, Stephan Hinz territory. Different from Afro House: tribal is more global drum focused.
- Core DJ range
- 115–132 BPM
- Practical target
- 125 BPM
- Track spread
- 112–134 BPM
- Track evidence
- View 50 reference tracks
Chart ranges are DJ planning references. Check the grid and phrase markers on the exact track edit before mixing.
About House BPM
The foundation of electronic dance music, born in Chicago in the early 1980s. Characterized by a steady four-on-the-floor kick drum pattern, synthesized basslines, and soulful vocals. The core DJ range spans 115-132, with 125 BPM as a practical target. Sub-genres split the parent genre into narrower tempo bands, which is why this chart is more useful than one number alone.
How to Read House BPM in DJ Software
House is usually mixed around 115-132 BPM, with 125 BPM as a practical DJ target. The reference tracks on this page span 112-134 BPM, so use the grid that makes loops and phrase markers line up cleanly.
Track Evidence
This table separates the core DJ range from the tracks shown here, so the page can be useful without hiding bridge records or outliers.
- Tracks shown
- 17
- Track spread
- 112-134 BPM
- Below core range
- 1 track
- Inside core range
- 15 tracks
- Above core range
- 1 track
- Mean of shown tracks
- 123 BPM
- Median of shown tracks
- 122 BPM
- Evidence level
- 17 tracks, 15 core examples
DJ Overview for House
Use this as a mixing and library-prep description, not an encyclopedia entry.
Tracks in House, by Sub-Genre
Real tracks in our reference set, grouped by sub-genre:
Deep House(118–125 BPM)
Take Me Into Your Skin
trentemøller
Conjure Balearia
Maceo Plex
Ringo
Joris Voorn
Because You Move Me
Tinlicker, Helsloot
Roar - Adana Twins Remix
Patrice Bäumel, Adana Twins
Powers of Ten - Maceo Plex & Shall Ocin Remix
Stephan Bodzin
Levo
Recondite
Nova - Joseph Ray Remix
YOTTO, Joseph Ray
Tech House(124–128 BPM)
Forget
Patrick Topping
Hungry For The Power - Jamie Jones Ridge Street Remix
AZARI, III, Jamie Jones
Buggin'
Hot Since 82, Jem Cooke
Losing It
FISHER
Ferrari
James Hype, Miggy Dela Rosa
San Frandisco
Dom Dolla
Your Love - Original Club Mix
Mark Knight
Deep End - SIDEPIECE Remix
John Summit, SIDEPIECE
Progressive House(126–132 BPM)
Afro House(120–128 BPM)
Drive (feat. Delilah Montagu) - Edit
Black Coffee, David Guetta, Delilah Montagu
The Akan
Caiiro
The Rapture Pt.III
&ME, Black Coffee, Keinemusik
Webaba
Culoe De Song, Busi Mhlongo
Up and Down
Rampa, Adam Port, &ME, Keinemusik
For working DJs
Build better DJ crates in Vibes
Tag tracks by vibe, energy, role, and set context before your next set.
Related Charts
Mix Into House
Tempo overlap is only one part of the decision. These suggestions separate BPM fit from style fit so same-tempo but unrelated genres do not look like natural transitions.
Hey, it's Ben Modigell 👋
I've been DJing and producing music as "so I so," focusing on downtempo, minimal, dub house, tech house, and techno. My background in digital marketing, web development, and UX design over the past 6 years helps me create DJ tutorials that are clear, practical, and easy to follow.
Author and Methodology
Maintained by Ben Modigell
Ben is the founder of Vibes and builds DJ library, preparation, BPM, and harmonic-mixing tools for working DJs.
Last updated:
Data used: 31 mapped sub-genres and 50 reference tracks
Evidence: 31 House sub-genres and 50 reference tracks from a 290-track reference dataset.
Source: Audio features sourced from ReccoBeats (https://reccobeats.com); track metadata via Spotify Search API. Spotify deprecated audio-features for new apps in Nov 2024. Manual label reference tracks use Beatport BPM/key metadata where available.
How this page is made: This chart is generated from the Vibes genre taxonomy and reference track metadata where available. AI-assisted research helped draft taxonomy notes; chart ranges and tables are rendered from structured data.
Chart ranges are designed for DJ set planning. Producers can release tracks outside these ranges, especially remixes, VIP edits, live versions, and halftime arrangements.
Organize your DJ library visually.
Tag tracks by vibe. See everything at once. Export to any DJ software.
A visual system for organizing your DJ library.
