Deep House BPM
Deep House is usually mixed around 118-125 BPM, with 122 BPM as a practical DJ target. The reference tracks on this page span 118-128 BPM, so the guide separates core examples from adjacent and outlier records.
Viewing Deep House within the House family.
House BPM Reference
House: 115-132 BPM, typical 125 BPM.
| Genre | BPM Range | Typical BPM | Notes |
|---|---|---|---|
| House | 115-132 | 125 | The foundation of electronic dance music, born in Chicago in the early 1980s. Characterized by a steady four-on-the-floor kick drum pattern, synthesized basslines, and soulful vocals. |
| Tropical House | 100-118 | 110 | Slow, sun-soaked house with marimba/steel-drum leads, panflutes, and tropical instrumentation. Popularized by Kygo, Thomas Jack, and Matoma in 2014–2016. |
| Slap House | 110-125 | 120 | Plucked, slap-bass-driven house with downtempo trap-influenced energy. Brazilian Bass evolution: Imanbek, VIZE, Alok. Massive in 2019–2021. |
| Outsider House | 115-128 | 120 | Raw, lo-fi, outsider-art house from labels like L.I.E.S., Mood Hut, and 1080p. DJ Sotofett, Huerco S., Anthony Naples. Tape hiss and DIY production aesthetics. |
| Lo-Fi House | 115-125 | 120 | Raw, tape-saturated house with intentionally degraded sound quality. Vintage samples, dusty drums, and DIY aesthetic. Ross From Friends, DJ Boring, Mall Grab. |
| Chicago House | 118-128 | 122 | The original house sound from clubs like The Warehouse and Music Box. Drum machine patterns (TR-707, TR-909), Roland bass, and disco DNA. Pioneered by Frankie Knuckles, Marshall Jefferson, and Larry Heard. |
| Deep House | 118-125 | 122 | A smoother, more atmospheric take on house. Warm pads, jazzy chords, and subdued vocals create a hypnotic, late-night feel. |
| Disco House | 118-126 | 122 | House built on disco loops and live instrumentation feel. Strings, horns, slap bass, and four-on-the-floor uplift. Overlaps with French and funky house. |
| Italo House | 118-128 | 122 | Late-80s Italian house with piano stabs, female diva vocals, and synth strings. Black Box's 'Ride on Time' and 49ers epitomize the sound. |
| Organic House | 115-124 | 122 | Layered, percussive, melody-soft house championed by labels like All Day I Dream and Crosstown Rebels. Bedouin, Sébastien Léger, Tinlicker, Bona Fide. Subtle, warm, organic textures over deep grooves. |
| Melodic House | 118-126 | 122 | Anjunadeep-adjacent, emotional, melody-led house. Innellea, Massano, Cassian, Anyma, Argy. Distinct from melodic-techno: groovier, slightly slower, more song-like. |
| French House | 118-128 | 124 | Filter-driven house pioneered by Daft Punk, Cassius, Stardust, and the Ed Banger crew. Heavily filtered disco and funk samples, sidechain pumping, and phaser sweeps. |
| Soulful House | 120-128 | 124 | House with gospel-rooted vocals, jazzy keys, and live-feel arrangements. Defined by labels like Defected, Soulfuric, and artists like Louie Vega and Kerri Chandler. |
| Brazilian Bass | 120-128 | 124 | São Paulo–born deep house variant with prominent slappy bass and minimal arrangement. Alok, Bhaskar, and Vintage Culture defined the sound that birthed slap house globally. |
| Microhouse | 120-128 | 124 | Glitchy, micro-sampled minimal house pioneered by Akufen, Ricardo Villalobos, and the Perlon/Kompakt circle. Granular textures and click-house grooves. |
| Afro House | 120-128 | 124 | Fuses house music with African rhythms, percussion, and melodic elements. Rich in polyrhythmic patterns and organic instrumentation. Black Coffee, Keinemusik. |
| Acid House | 120-130 | 125 | Defined by the squelchy, resonant sound of the Roland TB-303 bass synthesizer. A pivotal genre in rave culture. |
| Funky House | 122-128 | 125 | Infuses house with funk and disco elements. Groovy basslines, filtered samples, and uplifting energy. |
| Garage House | 122-128 | 125 | The New York/New Jersey vocal house sound from Paradise Garage and Tony Humphries era. Soulful, gospel-tinged vocals over swung drums. Direct ancestor of UK garage. |
| Latin House | 122-128 | 125 | House laced with congas, timbales, and Latin/salsa percussion. DJ Disciple, Erick Morillo, Roger Sanchez crossover sound. |
| Afro-Tech | 122-128 | 125 | Tech house variant with African percussion layers, log drums, and organic textures. Sits between Afro House and tech house: Themba, Black Motion sound. |
| Tech House | 124-128 | 126 | Blends house groove with techno's minimalism. Punchy percussion, rolling basslines, and stripped-back arrangements dominate the dancefloor. |
| Future House | 124-128 | 126 | Bouncy, metallic-bass house pioneered by Tchami, Oliver Heldens, and Don Diablo. Mid-2010s Spinnin'/Mixmash sound bridging UK garage swing and big-room drops. |
| G-House | 124-128 | 126 | Gangsta-house: tech house with West Coast hip-hop samples and gangsta rap acapellas. Pioneered by AC Slater, Amine Edge & DANCE, and the Night Bass label. |
| Jackin' House | 124-128 | 126 | Cut-up disco-loop house with chopped vocal stabs and bouncy swung drums. Strictly Rhythm/Defected territory. The 'jacking' references original Chicago house dance. |
| Tribal House | 124-130 | 126 | Percussion-heavy house with congas, djembes, bongos, and chant vocals. Pier Bucci, DJ Chus, Stephan Hinz territory. Different from Afro House: tribal is more global drum focused. |
| Progressive House | 126-132 | 128 | Long, evolving builds and breakdowns with layered melodies. Tracks develop gradually over 7-10 minutes with emotional peaks. |
| Electro House | 126-132 | 128 | Big, distorted basslines and aggressive synth leads. High-energy festival sound with dramatic drops. Distinct from classic 'electro' (electrofunk). |
| Bass House | 124-130 | 128 | Aggressive, bass-forward house drawing from UK bassline and dubstep. AC Slater, Joyryde, Habstrakt territory. Heavy mid-range growls over four-on-the-floor. |
| Big Room House | 126-132 | 128 | Stripped-down festival house built around massive kick-driven drops. Hardwell, Martin Garrix, W&W era of Mainstage EDM at Tomorrowland and Ultra. |
| Ghetto House | 130-150 | 135 | Raw, sexually explicit Chicago house with stripped 808/909 patterns. Dance Mania label sound: DJ Funk, DJ Deeon. Direct precursor to juke and footwork. |
| Hard House | 140-150 | 145 | UK rave-era hard house with pumping kicks, hoover synths, and crowd-rallying energy. Tidy Trax, Trade nightclub heritage. Tony De Vit, BK, Lisa Lashes. |
vibesdj.io/dj-tools - BPM ranges are practical DJ references, not strict genre boundaries.
House
The foundation of electronic dance music, born in Chicago in the early 1980s. Characterized by a steady four-on-the-floor kick drum pattern, synthesized basslines, and soulful vocals.
Sub-genre BPM landscape
House sub-genres
Chicago House
118–128The original house sound from clubs like The Warehouse and Music Box. Drum machine patterns (TR-707, TR-909), Roland bass, and disco DNA. Pioneered by Frankie Knuckles, Marshall Jefferson, and Larry Heard.
Deep House
118–125A smoother, more atmospheric take on house. Warm pads, jazzy chords, and subdued vocals create a hypnotic, late-night feel.
Tech House
124–128Blends house groove with techno's minimalism. Punchy percussion, rolling basslines, and stripped-back arrangements dominate the dancefloor.
Progressive House
126–132Long, evolving builds and breakdowns with layered melodies. Tracks develop gradually over 7-10 minutes with emotional peaks.
Acid House
120–130Defined by the squelchy, resonant sound of the Roland TB-303 bass synthesizer. A pivotal genre in rave culture.
Electro House
126–132Big, distorted basslines and aggressive synth leads. High-energy festival sound with dramatic drops. Distinct from classic 'electro' (electrofunk).
Funky House
122–128Infuses house with funk and disco elements. Groovy basslines, filtered samples, and uplifting energy.
French House
118–128Filter-driven house pioneered by Daft Punk, Cassius, Stardust, and the Ed Banger crew. Heavily filtered disco and funk samples, sidechain pumping, and phaser sweeps.
Disco House
118–126House built on disco loops and live instrumentation feel. Strings, horns, slap bass, and four-on-the-floor uplift. Overlaps with French and funky house.
Soulful House
120–128House with gospel-rooted vocals, jazzy keys, and live-feel arrangements. Defined by labels like Defected, Soulfuric, and artists like Louie Vega and Kerri Chandler.
Garage House
122–128The New York/New Jersey vocal house sound from Paradise Garage and Tony Humphries era. Soulful, gospel-tinged vocals over swung drums. Direct ancestor of UK garage.
Future House
124–128Bouncy, metallic-bass house pioneered by Tchami, Oliver Heldens, and Don Diablo. Mid-2010s Spinnin'/Mixmash sound bridging UK garage swing and big-room drops.
Bass House
124–130Aggressive, bass-forward house drawing from UK bassline and dubstep. AC Slater, Joyryde, Habstrakt territory. Heavy mid-range growls over four-on-the-floor.
G-House
124–128Gangsta-house: tech house with West Coast hip-hop samples and gangsta rap acapellas. Pioneered by AC Slater, Amine Edge & DANCE, and the Night Bass label.
Big Room House
126–132Stripped-down festival house built around massive kick-driven drops. Hardwell, Martin Garrix, W&W era of Mainstage EDM at Tomorrowland and Ultra.
Tropical House
100–118Slow, sun-soaked house with marimba/steel-drum leads, panflutes, and tropical instrumentation. Popularized by Kygo, Thomas Jack, and Matoma in 2014–2016.
Slap House
110–125Plucked, slap-bass-driven house with downtempo trap-influenced energy. Brazilian Bass evolution: Imanbek, VIZE, Alok. Massive in 2019–2021.
Brazilian Bass
120–128São Paulo–born deep house variant with prominent slappy bass and minimal arrangement. Alok, Bhaskar, and Vintage Culture defined the sound that birthed slap house globally.
Microhouse
120–128Glitchy, micro-sampled minimal house pioneered by Akufen, Ricardo Villalobos, and the Perlon/Kompakt circle. Granular textures and click-house grooves.
Hard House
140–150UK rave-era hard house with pumping kicks, hoover synths, and crowd-rallying energy. Tidy Trax, Trade nightclub heritage. Tony De Vit, BK, Lisa Lashes.
Italo House
118–128Late-80s Italian house with piano stabs, female diva vocals, and synth strings. Black Box's 'Ride on Time' and 49ers epitomize the sound.
Latin House
122–128House laced with congas, timbales, and Latin/salsa percussion. DJ Disciple, Erick Morillo, Roger Sanchez crossover sound.
Ghetto House
130–150Raw, sexually explicit Chicago house with stripped 808/909 patterns. Dance Mania label sound: DJ Funk, DJ Deeon. Direct precursor to juke and footwork.
Jackin' House
124–128Cut-up disco-loop house with chopped vocal stabs and bouncy swung drums. Strictly Rhythm/Defected territory. The 'jacking' references original Chicago house dance.
Outsider House
115–128Raw, lo-fi, outsider-art house from labels like L.I.E.S., Mood Hut, and 1080p. DJ Sotofett, Huerco S., Anthony Naples. Tape hiss and DIY production aesthetics.
Lo-Fi House
115–125Raw, tape-saturated house with intentionally degraded sound quality. Vintage samples, dusty drums, and DIY aesthetic. Ross From Friends, DJ Boring, Mall Grab.
Afro House
120–128Fuses house music with African rhythms, percussion, and melodic elements. Rich in polyrhythmic patterns and organic instrumentation. Black Coffee, Keinemusik.
Afro-Tech
122–128Tech house variant with African percussion layers, log drums, and organic textures. Sits between Afro House and tech house: Themba, Black Motion sound.
Organic House
115–124Layered, percussive, melody-soft house championed by labels like All Day I Dream and Crosstown Rebels. Bedouin, Sébastien Léger, Tinlicker, Bona Fide. Subtle, warm, organic textures over deep grooves.
Melodic House
118–126Anjunadeep-adjacent, emotional, melody-led house. Innellea, Massano, Cassian, Anyma, Argy. Distinct from melodic-techno: groovier, slightly slower, more song-like.
Tribal House
124–130Percussion-heavy house with congas, djembes, bongos, and chant vocals. Pier Bucci, DJ Chus, Stephan Hinz territory. Different from Afro House: tribal is more global drum focused.
- Core DJ range
- 118–125 BPM
- Practical target
- 122 BPM
- Track spread
- 118-128 BPM
- Track evidence
- 14 shown
Use the BPM that makes loops, cue points, and phrase markers behave cleanly in your DJ software.
What BPM Is Deep House?
Deep House sits at 118–125 BPM as a core DJ range, with 122 BPM as a practical target for crate filtering and set planning. As a sub-genre of House, it sits within the broader 115–132 BPM family.
How to Read Deep House BPM in DJ Software
Deep House is usually mixed around 118-125 BPM, with 122 BPM as a practical DJ target. The reference tracks on this page span 118-128 BPM, so use the grid that makes loops and phrase markers line up cleanly.
Track Evidence
This table separates the core DJ range from the tracks shown here, so the page can be useful without hiding bridge records or outliers.
- Tracks shown
- 14
- Track spread
- 118-128 BPM
- Below core range
- 0 tracks
- Inside core range
- 11 tracks
- Above core range
- 3 tracks
- Mean of shown tracks
- 124 BPM
- Median of shown tracks
- 124 BPM
- Evidence level
- 14 tracks, 11 core examples
Deep House Reference Tracks
Resolved Deep House tracks with BPM and Camelot key, separated by DJ fit:
Core Deep House examples
These examples sit inside the 118-125 BPM core DJ range.
Take Me Into Your Skin
trentemøller
Conjure Balearia
Maceo Plex
Ringo
Joris Voorn
Because You Move Me
Tinlicker, Helsloot
Roar - Adana Twins Remix
Patrice Bäumel, Adana Twins
Powers of Ten - Maceo Plex & Shall Ocin Remix
Stephan Bodzin
Levo
Recondite
Nova - Joseph Ray Remix
YOTTO, Joseph Ray
Brightest Lights (feat. POLIÇA)
Lane 8
Walk Music Four
Henrik Schwarz, Tokyo Secret Orchestra, Emi Akiyama, Johannes Brecht
Rej
Âme
Adjacent and outlier examples
These tracks still help explain the Deep House neighborhood, but they should not be treated as core examples without checking the grid.
Bar A Thym
Kerri Chandler
The Sun Can't Compare - Long Version
Larry Heard, Mr White
Reforma
Rampazzo
For working DJs
Build better DJ crates in Vibes
Tag tracks by vibe, energy, role, and set context before your next set.
Above the 118-125 BPM core range; check whether it behaves better as halftime.
Above the 118-125 BPM core range; check whether it behaves better as halftime.
Above the 118-125 BPM core range; check whether it behaves better as halftime.
DJ Overview for Deep House
Use this as a mixing and library-prep description, not an encyclopedia entry.
Compare Nearby Styles
Primary reference for this page.
Broader family range for planning transitions.
Same typical tempo; compare by arrangement and energy.
Same typical tempo; compare by arrangement and energy.
Same typical tempo; compare by arrangement and energy.
Mix Into Deep House
Tempo overlap is only one part of the decision. These suggestions separate BPM fit from style fit so same-tempo but unrelated genres do not look like natural transitions.
Reference Artists in Deep House
Artists represented in the current Deep House track sample:
Common Keys for Deep House
Most-used Camelot keys among the Deep House tracks shown here:
Explore Related References
Mixing Tips
Tempo Window
Stay in the 118–125 BPM band for clean mixes; verify unknown tracks with the BPM tapper.
Harmonic Fit
Use the Camelot wheel to find compatible keys before transitioning, especially when Deep House tracks have prominent melodic content.
Tempo Bridges
When bridging into a different tempo, use the key transposer to plan how pitch change affects key, or transition during a breakdown where the beat drops.
Next Reference
Browse the EDM genre BPM chart or the music genre tree to see how Deep House relates to neighboring styles.
Typical Tempo
See tracks at the typical 122 BPM on the 122 BPM tracks page.
Hey, it's Ben Modigell 👋
I've been DJing and producing music as "so I so," focusing on downtempo, minimal, dub house, tech house, and techno. My background in digital marketing, web development, and UX design over the past 6 years helps me create DJ tutorials that are clear, practical, and easy to follow.
Author and Methodology
Maintained by Ben Modigell
Ben is the founder of Vibes and builds DJ library, preparation, BPM, and harmonic-mixing tools for working DJs.
Last updated:
Data used: 14 reference tracks
Evidence: 14 reference Deep House tracks from a 290-track dataset; 11 sit inside the core DJ range and 3 are labeled as adjacent or outlier examples.
Source: Audio features sourced from ReccoBeats (https://reccobeats.com); track metadata via Spotify Search API. Spotify deprecated audio-features for new apps in Nov 2024. Manual label reference tracks use Beatport BPM/key metadata where available.
How this page is made: This page is generated from the Vibes genre taxonomy, curated reference tracks, computed evidence statistics, and reference track metadata where available. AI-assisted research helped draft the taxonomy notes; the visible page is rendered from structured data and reusable page logic.
Genre BPM ranges are practical DJ references, not statistical claims about every track. Different edits, live versions, and analysis engines may report slightly different tempos.
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