Synthwave BPM Chart
Quick answer
What is the Synthwave BPM range?
A visual BPM chart for Synthwave and its 4 sub-genres: compare tempo bands side by side, spot where ranges overlap, and pick mixing partners before planning transitions.
- DJ-ready reference
- Printable
- Methodology included
Synthwave BPM Reference
Synthwave: 80-115 BPM, typical 100 BPM.
| Genre | BPM Range | Typical BPM | Notes |
|---|---|---|---|
| Synthwave | 80-115 | 100 | 80s-inspired retro electronica: gated reverb drums, FM-synth pads, neon nostalgia. Kavinsky's Drive soundtrack era. The Midnight, FM-84. |
| Vaporwave | 60-90 | 75 | Slowed/chopped 80s/90s smooth-jazz/lounge samples. Macintosh Plus 'Floral Shoppe', Saint Pepsi. Internet-aesthetic adjacent. |
| Chillwave | 80-110 | 95 | Hazy, dreamy late-2000s indie-electronic: Washed Out, Toro y Moi, Neon Indian. Lo-fi pop with synth nostalgia. |
| Outrun | 80-115 | 100 | Highway/driving-themed synthwave subgenre: soundtrack-feel arpeggios and arena-rock drums. Mitch Murder, Lazerhawk, Miami Nights 1984. |
| Darksynth | 90-130 | 110 | Aggressive horror-tinged synthwave. Perturbator, Carpenter Brut, GosT. John Carpenter scoring DNA. Often crosses into metal-tempo. |
vibesdj.io/dj-tools - BPM ranges are practical DJ references, not strict genre boundaries.
Synthwave
80s-inspired retro electronica: gated reverb drums, FM-synth pads, neon nostalgia. Kavinsky's Drive soundtrack era. The Midnight, FM-84.
Sub-genre tempo spectrum
4 styles- Core DJ range
- 80–115 BPM
- Practical target
- 100 BPM
- Track spread
- 86–147 BPM
- Track evidence
- View 7 reference tracks
Chart ranges are DJ planning references. Check the grid and phrase markers on the exact track edit before mixing.
About Synthwave BPM
80s-inspired retro electronica: gated reverb drums, FM-synth pads, neon nostalgia. Kavinsky's Drive soundtrack era. The Midnight, FM-84. The core DJ range spans 80-115, with 100 BPM as a practical target. Sub-genres split the parent genre into narrower tempo bands, which is why this chart is more useful than one number alone.
Reading the grid
How to Read Synthwave BPM in DJ Software
Synthwave is usually mixed around 80-115 BPM, with 100 BPM as a practical DJ target. The reference tracks on this page span 86-147 BPM, so use the grid that makes loops and phrase markers line up cleanly.
| Reading | Meaning | Action |
|---|---|---|
| 80-115 BPM | Core Synthwave DJ range | Beatmatch normally, then check phrasing around intros, breaks, and drops. |
| 40-58 BPM | Halftime interpretation of the core range | Double the grid if 8-bar loops or cue points feel too slow. |
| 100 BPM | Practical target for crate filtering | Use as a starting point, then sort by energy, key, and arrangement. |
| > 115 BPM | Faster outliers or double-time readings | Check whether the track behaves better as halftime before using it as a fast transition. |
Track Evidence
This rail separates the core DJ range from the tracks shown here, so the page can be useful without hiding bridge records or outliers.
- Tracks shown
- 7
- Track spread
- 86-147 BPM
- Below core range
- 0 tracks
- Inside core range
- 4 tracks
- Above core range
- 3 tracks
- Mean of shown tracks
- 114 BPM
- Median of shown tracks
- 114 BPM
- Evidence level
- Limited but reviewed: 7 tracks, 4 core examples
Counts describe the reference tracks resolved on this page, not every record in the genre.
DJ Overview for Synthwave
Use this as a mixing and library-prep description, not an encyclopedia entry.
| Aspect | Detail |
|---|---|
| Sound palette | 80s synths, Gated reverb drums, Neon nostalgia, Drive aesthetic |
| Drum feel | 80-115 BPM core range; check whether slower readings work better doubled or as halftime. |
| Arrangement and phrasing | Confirm intro, build, drop, breakdown, and outro cue points before trusting the analyzer value. |
| Energy use in a set | warmup, groove section, or crossover bridge |
| Often compared with | Outrun, Chillwave, Darksynth |
Tracks in Synthwave
Related Charts
Mix Into Synthwave
Tempo overlap is only one part of the decision. These suggestions separate BPM fit from style fit so same-tempo but unrelated genres do not look like natural transitions.
| Genre | BPM fit | Style fit | Transition |
|---|---|---|---|
| Outrun80-115 BPM · typical 100 | High | High | Long blend, harmonic blend, or drop swap |
| Darksynth90-130 BPM · typical 110 | High | High | Long blend, harmonic blend, or drop swap |
| Vaporwave60-90 BPM · typical 75 | High | High | Long blend, harmonic blend, or drop swap |
| Chillwave80-110 BPM · typical 95 | High | High | Long blend, harmonic blend, or drop swap |
| Cinematic Midtempo90-110 BPM · typical 100 | High | Medium | Short blend; verify arrangement and energy |
| Skweee80-110 BPM · typical 95 | High | Medium | Short blend; verify arrangement and energy |
| Kwaito95-112 BPM · typical 105 | High | Medium | Short blend; verify arrangement and energy |
| Downtempo80-115 BPM · typical 95 | High | Medium | Short blend; verify arrangement and energy |

Hey, it's Ben Modigell 👋
I've been DJing and producing music as "so I so," focusing on downtempo, minimal, dub house, tech house, and techno. My background in digital marketing, web development, and UX design over the past 6 years helps me create DJ tutorials that are clear, practical, and easy to follow.
Methodology
Last updated
Author and Methodology
Maintained by Ben Modigell, founder of Vibes. Ben builds DJ library, preparation, BPM, and harmonic-mixing tools for working DJs.
- Data used
- 4 mapped sub-genres and 7 reference tracks
- Source
- Audio features sourced from ReccoBeats (https://reccobeats.com); track metadata via Spotify Search API. Spotify deprecated audio-features for new apps in Nov 2024. Manual label reference tracks use Beatport BPM/key metadata where available.
- Evidence
- 4 Synthwave sub-genres and 7 reference tracks from a 391-track reference dataset.
- How this page is made
- This chart is generated from the Vibes genre taxonomy and reference track metadata where available. AI-assisted research helped draft taxonomy notes; chart ranges and tables are rendered from structured data.
Chart ranges are designed for DJ set planning. Producers can release tracks outside these ranges, especially remixes, VIP edits, live versions, and halftime arrangements.
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