Filter your crate to this range, then verify each track's beatgrid and Camelot key before you blend.
- Practical target
- 150 BPM
- Tracks shown
- 4 shown
- Track spread
- 140-150 BPM
- Inside core range
- 2 of 4
- Below · above
- 2 below · 0 above
- Median · mean
- 146 · 146 BPM
- Family
- Trance
- Evidence
- Limited but reviewed: 4 tracks, 2 core examples
Counts describe the reference tracks resolved on this page, not every record in the genre. Use the BPM that makes loops, cue points, and phrase markers behave cleanly.
Quick answer
What BPM is Nitzhonot?
A DJ tempo guide for Nitzhonot: where the core range sits, and 4 reference tracks spanning 140-150 BPM, separated into core, adjacent, and outlier records.
- DJ-ready reference
- Printable
- Methodology included
Reference tracks
Nitzhonot Reference Tracks
Resolved Nitzhonot tracks, verified against their beatgrids with real BPM, Camelot key, energy and length, separated by DJ fit. Click any row to open its full sonic profile.
Core Nitzhonot examples
2 inside 145-155 BPM
Adjacent and outlier examples
2 outside core
DJ fit notes
- Voyage - Tiesto's Magikal Remake: Below the 145-155 BPM core range; use as a bridge record or test a doubled grid.
- Coolio - Darwish Remix: Below the 145-155 BPM core range; use as a bridge record or test a doubled grid.
Genre family
Nitzhonot in the Trance Family
Nitzhonot sits at 145–155 BPM as a core DJ range, with 150 BPM as a practical target for crate filtering and set planning. Viewing Nitzhonot as a sub-genre of Trance, it sits within the broader 128–150 BPM family.
Trance BPM Reference
Trance: 128-150 BPM, typical 138 BPM.
| Genre | BPM Range | Typical BPM | Notes |
|---|---|---|---|
| Trance | 128-150 | 138 | Hypnotic melodies, euphoric builds, and extended breakdowns. Designed to induce a trance-like state through repetition and emotional progression. |
| Balearic Trance | 118-128 | 124 | Sun-drenched, slower trance born from Ibiza's Café del Mar/Pacha sunset sets. Eclectic, melodic, and uplifting without the BPM. Chicane, Way Out West. |
| Progressive Trance | 128-136 | 132 | Slower, deeper trance with gradual builds and subtle evolution. Less euphoric peaks, more groove and texture. Sasha & Digweed, Hernan Cattaneo. |
| Zenonesque | 126-140 | 132 | Australian-pioneered, left-field strain of progressive psytrance championed by Zenon Records. Sensient, Krumelur, Globular. Cerebral, jazzy, head-nod psychedelia over peak-time bombast. |
| Dream Trance | 130-140 | 135 | Mid-90s Italian trance built on dreamy piano leads and emotional progressions. Robert Miles' 'Children' archetype, BBE, Zhi-Vago. |
| Progressive Psytrance | 130-140 | 135 | Slower, hypnotic psytrance focused on groove and gradual development. Liquid Soul, Ace Ventura, Vibrasphere, Atmos. The Swedish-born stripped-down side of psy. |
| Uplifting Trance | 136-142 | 138 | The classic trance sound: soaring melodies, big breakdowns, and euphoric drops that define the genre's emotional peak. Aly & Fila, Above & Beyond, Ferry Corsten. |
| Vocal Trance | 132-140 | 138 | Trance with foregrounded vocal performances. Dash Berlin, Tiësto's early-2000s output, ATB. Pop crossover potential. |
| Tech Trance | 135-145 | 140 | Merges trance's melodic elements with techno's driving, percussive energy. Harder edge than classic trance. Simon Patterson, Sean Tyas, Will Atkinson. |
| Acid Trance | 135-145 | 140 | TB-303-driven trance: squelchy acid lines weaving through trance arrangements. Hardfloor, Union Jack, Trance Wax. |
| Orchestral Uplifting | 138-142 | 140 | Cinematic, symphonic uplifting trance: orchestral string sections, choir layers, and film-score builds. Andy Blueman, Soundlift, Activa. |
| Psybreaks | 130-150 | 140 | Psytrance hybridised with breakbeat drum patterns. Hyper-Frequencies, Tickle, Shanka, BSE. Mostly 130-140 BPM with broken kicks instead of 4/4. |
| Hard Trance | 140-150 | 145 | Faster, harder trance: distorted hoover synths, pumping kicks, and hard-rave energy. Kai Tracid, Dumonde, Cosmic Gate's early sound. |
| Psytrance | 140-150 | 145 | Psychedelic trance with driving basslines, layered textures, and mind-bending sound design. Born from Goa trance. |
| Goa Trance | 140-150 | 145 | The original psychedelic trance from Goa, India. Layered acid lines, organic textures, and spiritual energy. Astral Projection, Infected Mushroom's early work. |
| Full-On Psytrance | 140-148 | 145 | Melodic, energetic Israeli/Brazilian psytrance variant. Vini Vici, Astrix, Infected Mushroom mainstream era. The festival-friendly face of psy. |
| Forest / Dark Psytrance | 145-160 | 148 | Dark, organic, woodland-mood psytrance with rolling acid basslines. Kindzadza, Para Halu, Terrafractyl. The opposite end from Full-On. |
| Twilight Psytrance | 144-156 | 150 | Mid-tempo, melodic-but-edgy psytrance for the hours between night and dawn. Loud, Spectro Senses, Earthling. Sits between progressive psy and full-on with darker grooves. |
| Nitzhonot | 145-155 | 150 | Israeli melody-forward Goa offshoot from the late 1990s. Eyal Barkan, Holy Men, Astral Projection's brighter side. 'Victories' in Hebrew: celebratory, anthem-driven psytrance. |
| Suomisaundi | 140-160 | 150 | Finnish freeform psy: chaotic, irreverent, sample-collage psytrance. Squaremeat, Texas Faggott, Haltya. The DIY weirdo cousin of Goa. |
| Darkpsy | 148-160 | 152 | Heavier end of psytrance with relentless 4/4 kicks, rolling sub-bass, and dense FM/acid textures. Kindzadza, Bog, Penta. Robotic and chromatic where forest is organic and natural. |
| Hi-Tech Psytrance | 170-220 | 200 | Ultra-fast, experimental psytrance pushing tempo and sound design to extremes. Bizzare Contact, Outsiders, Furious, Para Halu. Glitchy, technical, often blurring with speedcore at the upper end. |
vibesdj.io/dj-tools - BPM ranges are practical DJ references, not strict genre boundaries.
Trance
Hypnotic melodies, euphoric builds, and extended breakdowns. Designed to induce a trance-like state through repetition and emotional progression.
Sub-genre tempo spectrum
21 stylesReading the grid
How to Read Nitzhonot BPM in DJ Software
Nitzhonot is usually mixed around 145-155 BPM, with 150 BPM as a practical DJ target. The reference tracks on this page span 140-150 BPM, so use the grid that makes loops and phrase markers line up cleanly.
| Reading | Meaning | Action |
|---|---|---|
| 145-155 BPM | Core Nitzhonot DJ range | Beatmatch normally, then check phrasing around intros, breaks, and drops. |
| 73-78 BPM | Halftime interpretation of the core range | Double the grid if 8-bar loops or cue points feel too slow. |
| 150 BPM | Practical target for crate filtering | Use as a starting point, then sort by energy, key, and arrangement. |
| < 145 BPM | Slower adjacent or bridge records | Treat as tempo bridges unless the grid doubles cleanly into the core range. |
DJ Overview for Nitzhonot
Use this as a mixing and library-prep description, not an encyclopedia entry.
| Aspect | Detail |
|---|---|
| Sound palette | Triumphant supersaw leads, Middle-Eastern modes, Pitched 'laser' kick, Anthem-style hooks |
| Drum feel | 145-155 BPM core range; check whether slower readings work better doubled or as halftime. |
| Arrangement and phrasing | Confirm intro, build, drop, breakdown, and outro cue points before trusting the analyzer value. |
| Energy use in a set | builds, drops, and higher-energy transitions |
| Often compared with | Trance, Twilight Psytrance, Suomisaundi |
Mix Into Nitzhonot
Tempo overlap is only one part of the decision. These suggestions separate BPM fit from style fit so same-tempo but unrelated genres do not look like natural transitions.
| Genre | BPM fit | Style fit | Transition |
|---|---|---|---|
| Trance128-150 BPM · typical 138 | High | High | Long blend, harmonic blend, or drop swap |
| Uplifting Trance136-142 BPM · typical 138 | Medium | High | Breakdown transition or tempo-reset blend |
| Progressive Trance128-136 BPM · typical 132 | Medium | High | Breakdown transition or tempo-reset blend |
| Vocal Trance132-140 BPM · typical 138 | Medium | High | Breakdown transition or tempo-reset blend |
| Tech Trance135-145 BPM · typical 140 | High | High | Long blend, harmonic blend, or drop swap |
| Hard Trance140-150 BPM · typical 145 | High | High | Long blend, harmonic blend, or drop swap |
| Acid Trance135-145 BPM · typical 140 | High | High | Long blend, harmonic blend, or drop swap |
| Dream Trance130-140 BPM · typical 135 | Medium | High | Breakdown transition or tempo-reset blend |
Top Artists in Nitzhonot
Most-represented artists in the Nitzhonot tracks shown here:
Compare Nearby Styles
Primary reference for this page.
Broader family range for planning transitions.
Same typical tempo; compare by arrangement and energy.
Same typical tempo; compare by arrangement and energy.
2 BPM slower typical tempo; useful for warmups or pull-backs.
Common Keys for Nitzhonot
Most-used Camelot keys among the Nitzhonot tracks shown here:
Explore Related References
Mixing Tips
Tempo Window
Stay in the 145–155 BPM band for clean mixes; verify unknown tracks with the BPM tapper.
Harmonic Fit
Use the Camelot wheel to find compatible keys before transitioning, especially when Nitzhonot tracks have prominent melodic content.
Tempo Bridges
When bridging into a different tempo, use the key transposer to plan how pitch change affects key, or transition during a breakdown where the beat drops.
Next Reference
Browse the EDM genre BPM chart or the music genre tree to see how Nitzhonot relates to neighboring styles.
Typical Tempo
See tracks at the typical 150 BPM on the 150 BPM tracks page.
Hey, it's Ben Modigell 👋
I've been DJing and producing music as "so I so," focusing on downtempo, minimal, dub house, tech house, and techno. My background in digital marketing, web development, and UX design over the past 6 years helps me create DJ tutorials that are clear, practical, and easy to follow.
Methodology
Last updated
Author and Methodology
Maintained by Ben Modigell, founder of Vibes. Ben builds DJ library, preparation, BPM, and harmonic-mixing tools for working DJs.
- Data used
- 4 reference tracks
- Source
- Audio features sourced from ReccoBeats (https://reccobeats.com); track metadata via Spotify Search API. Spotify deprecated audio-features for new apps in Nov 2024. Manual label reference tracks use Beatport BPM/key metadata where available.
- Evidence
- 4 reference Nitzhonot tracks from a 391-track dataset; 2 sit inside the core DJ range and 2 are labeled as adjacent or outlier examples.
- How this page is made
- This page is generated from the Vibes genre taxonomy, curated reference tracks, computed evidence statistics, and reference track metadata where available. AI-assisted research helped draft the taxonomy notes; the visible page is rendered from structured data and reusable page logic.
Genre BPM ranges are practical DJ references, not statistical claims about every track. Different edits, live versions, and analysis engines may report slightly different tempos.
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