What BPM Is Trance?
Trance typically ranges from 128–150 BPM, with most tracks sitting around 138 BPM. The tempo varies significantly by sub-genre -progressive trance runs as slow as 128, while psytrance and Goa trance push up to 150.
Trance BPM Reference
Trance: 128-150 BPM, typical 138 BPM.
| Genre | BPM Range | Typical BPM | Notes |
|---|---|---|---|
| Trance | 128-150 | 138 | Hypnotic melodies, euphoric builds, and extended breakdowns. Designed to induce a trance-like state through repetition and emotional progression. |
| Balearic Trance | 118-128 | 124 | Sun-drenched, slower trance born from Ibiza's Café del Mar/Pacha sunset sets. Eclectic, melodic, and uplifting without the BPM. Chicane, Way Out West. |
| Progressive Trance | 128-136 | 132 | Slower, deeper trance with gradual builds and subtle evolution. Less euphoric peaks, more groove and texture. Sasha & Digweed, Hernan Cattaneo. |
| Dream Trance | 130-140 | 135 | Mid-90s Italian trance built on dreamy piano leads and emotional progressions. Robert Miles' 'Children' archetype, BBE, Zhi-Vago. |
| Uplifting Trance | 136-142 | 138 | The classic trance sound — soaring melodies, big breakdowns, and euphoric drops that define the genre's emotional peak. Aly & Fila, Above & Beyond, Ferry Corsten. |
| Vocal Trance | 132-140 | 138 | Trance with foregrounded vocal performances. Dash Berlin, Tiësto's early-2000s output, ATB. Pop crossover potential. |
| Tech Trance | 135-145 | 140 | Merges trance's melodic elements with techno's driving, percussive energy. Harder edge than classic trance. Simon Patterson, Sean Tyas, Will Atkinson. |
| Acid Trance | 135-145 | 140 | TB-303-driven trance — squelchy acid lines weaving through trance arrangements. Hardfloor, Union Jack, Trance Wax. |
| Orchestral Uplifting | 138-142 | 140 | Cinematic, symphonic uplifting trance — orchestral string sections, choir layers, and film-score builds. Andy Blueman, Soundlift, Activa. |
| Psybreaks | 130-150 | 140 | Psytrance hybridised with breakbeat drum patterns. Hyper-Frequencies, Tickle, Shanka, BSE. Mostly 130-140 BPM with broken kicks instead of 4/4. |
| Hard Trance | 140-150 | 145 | Faster, harder trance — distorted hoover synths, pumping kicks, and hard-rave energy. Kai Tracid, Dumonde, Cosmic Gate's early sound. |
| Psytrance | 140-150 | 145 | Psychedelic trance with driving basslines, layered textures, and mind-bending sound design. Born from Goa trance. |
| Goa Trance | 140-150 | 145 | The original psychedelic trance from Goa, India. Layered acid lines, organic textures, and spiritual energy. Astral Projection, Infected Mushroom's early work. |
| Full-On Psytrance | 140-148 | 145 | Melodic, energetic Israeli/Brazilian psytrance variant. Vini Vici, Astrix, Infected Mushroom mainstream era. The festival-friendly face of psy. |
| Forest / Dark Psytrance | 145-160 | 148 | Dark, organic, woodland-mood psytrance with rolling acid basslines. Kindzadza, Para Halu, Terrafractyl. The opposite end from Full-On. |
| Suomisaundi | 140-160 | 150 | Finnish freeform psy — chaotic, irreverent, sample-collage psytrance. Squaremeat, Texas Faggott, Haltya. The DIY weirdo cousin of Goa. |
| Hi-Tech / Twilight | 150-200 | 175 | Extreme high-BPM psytrance with intricate sound design. Bizzare Contact, Outsiders, Furious. Blurs the line with speedcore at the upper end. |
vibesdj.io/dj-tools - BPM ranges are practical DJ references, not strict genre boundaries.
Trance
Hypnotic melodies, euphoric builds, and extended breakdowns. Designed to induce a trance-like state through repetition and emotional progression.
Sub-genre BPM landscape
Trance sub-genres
Uplifting Trance
136–142The classic trance sound — soaring melodies, big breakdowns, and euphoric drops that define the genre's emotional peak. Aly & Fila, Above & Beyond, Ferry Corsten.
Progressive Trance
128–136Slower, deeper trance with gradual builds and subtle evolution. Less euphoric peaks, more groove and texture. Sasha & Digweed, Hernan Cattaneo.
Vocal Trance
132–140Trance with foregrounded vocal performances. Dash Berlin, Tiësto's early-2000s output, ATB. Pop crossover potential.
Tech Trance
135–145Merges trance's melodic elements with techno's driving, percussive energy. Harder edge than classic trance. Simon Patterson, Sean Tyas, Will Atkinson.
Hard Trance
140–150Faster, harder trance — distorted hoover synths, pumping kicks, and hard-rave energy. Kai Tracid, Dumonde, Cosmic Gate's early sound.
Acid Trance
135–145TB-303-driven trance — squelchy acid lines weaving through trance arrangements. Hardfloor, Union Jack, Trance Wax.
Dream Trance
130–140Mid-90s Italian trance built on dreamy piano leads and emotional progressions. Robert Miles' 'Children' archetype, BBE, Zhi-Vago.
Balearic Trance
118–128Sun-drenched, slower trance born from Ibiza's Café del Mar/Pacha sunset sets. Eclectic, melodic, and uplifting without the BPM. Chicane, Way Out West.
Orchestral Uplifting
138–142Cinematic, symphonic uplifting trance — orchestral string sections, choir layers, and film-score builds. Andy Blueman, Soundlift, Activa.
Psytrance
140–150Psychedelic trance with driving basslines, layered textures, and mind-bending sound design. Born from Goa trance.
Goa Trance
140–150The original psychedelic trance from Goa, India. Layered acid lines, organic textures, and spiritual energy. Astral Projection, Infected Mushroom's early work.
Full-On Psytrance
140–148Melodic, energetic Israeli/Brazilian psytrance variant. Vini Vici, Astrix, Infected Mushroom mainstream era. The festival-friendly face of psy.
Forest / Dark Psytrance
145–160Dark, organic, woodland-mood psytrance with rolling acid basslines. Kindzadza, Para Halu, Terrafractyl. The opposite end from Full-On.
Hi-Tech / Twilight
150–200Extreme high-BPM psytrance with intricate sound design. Bizzare Contact, Outsiders, Furious. Blurs the line with speedcore at the upper end.
Suomisaundi
140–160Finnish freeform psy — chaotic, irreverent, sample-collage psytrance. Squaremeat, Texas Faggott, Haltya. The DIY weirdo cousin of Goa.
Psybreaks
130–150Psytrance hybridised with breakbeat drum patterns. Hyper-Frequencies, Tickle, Shanka, BSE. Mostly 130-140 BPM with broken kicks instead of 4/4.
What BPM Is Trance?
Trance sits at 128–150 BPM, with 138 BPM as the genre standard. Progressive trance is the slowest at 128–136 BPM, uplifting trance runs 136–142 BPM, and psytrance and Goa trance reach 140–150 BPM. Tech trance bridges techno and trance at 135–145 BPM.
Why Is Trance 138 BPM?
Trance emerged in the early 1990s from the intersection of German techno and acid house. Early trance producers like Sven Vath, Paul van Dyk, and Jam & Spoon created hypnotic, repetitive tracks at 130–140 BPM that were designed to induce a trance-like state on the dancefloor.
The mid-to-late 1990s saw trance splinter into distinct sub-genres with different tempo identities. Goa trance (born from the psychedelic beach parties of Goa, India) pushed tempos to 140–150 BPM with layered acid textures. Uplifting trance -the anthemic, emotional variant championed by Armin van Buuren, Above & Beyond, and Ferry Corsten -settled at 136–142 BPM, which became the genre's defining tempo.
The 2010s brought a progressive trance revival at slower tempos (128–136 BPM), influenced by the crossover with progressive house and melodic techno. Artists like Nora En Pure and Tinlicker blurred the lines between genres. Meanwhile, psytrance maintained its fast 140–150 BPM tradition and grew massively through festivals like Boom and Ozora. Today, trance spans the widest BPM range of any major electronic genre.
Mixing Tips for Trance
- Trance tracks often have long intro/outro sections (32–64 bars) specifically designed for mixing -use the full length for seamless transitions
- Build your set from progressive trance (128–136) into uplifting (136–142) for a natural energy arc
- Key matching is critical in trance -the melodic content is prominent, so clashing keys are very noticeable. Use the Camelot wheel to stay in compatible keys, or transpose with the key transposer when you need to bridge keys
- When transitioning between sub-genres with different tempos, use a bridge track or make the tempo change during a breakdown where the beat drops out. Verify an unknown track's tempo with the BPM tapper
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