Filter your crate to this range, then verify each track's beatgrid and Camelot key before you blend.
- Practical target
- 174 BPM
- Tracks shown
- 13 shown
- Track spread
- 70-180 BPM
- Inside core range
- 10 of 13
- Below · above
- 3 below · 0 above
- Median · mean
- 174 · 157 BPM
- Sub-genres
- 16 styles
- Evidence
- 13 tracks, 10 core examples
Counts describe the reference tracks resolved on this page, not every record in the genre. Use the BPM that makes loops, cue points, and phrase markers behave cleanly.
Quick answer
What BPM is Drum & Bass?
A DJ tempo guide for Drum & Bass: where the core range sits, how its sub-genres split it, and 13 reference tracks spanning 70-180 BPM, separated into core, adjacent, and outlier records.
- DJ-ready reference
- Printable
- Methodology included
Reference tracks
Drum & Bass Reference Tracks
Resolved Drum & Bass tracks, verified against their beatgrids with real BPM, Camelot key, energy and length, separated by DJ fit. Click any row to open its full sonic profile.
Core Drum & Bass examples
10 inside 160-180 BPMAdjacent and outlier examples
3 outside coreDJ fit notes
- Louder (feat. Sian Evans) - Doctor P & Flux Pavilion Remix: Below the 160-180 BPM core range; use as a bridge record or test a doubled grid.
- Lost: Below the 160-180 BPM core range; use as a bridge record or test a doubled grid.
- Blind Faith: Below the 160-180 BPM core range; use as a bridge record or test a doubled grid.
Genre family
The Drum & Bass Family
Drum & Bass sits at 160–180 BPM as a core DJ range, with 174 BPM as a practical target for crate filtering and set planning. Drumstep is the slowest at 140-150 BPM, while Crossbreed reaches 175-200 BPM.
Drum & Bass BPM Reference
Drum & Bass: 160-180 BPM, typical 174 BPM.
| Genre | BPM Range | Typical BPM | Notes |
|---|---|---|---|
| Drum & Bass | 160-180 | 174 | Fast breakbeats and heavy sub-bass. Originated in the UK rave scene of the early 1990s. Energetic and bass-heavy. |
| Drumstep | 140-150 | 140 | Hybrid of D&B and dubstep: D&B drum patterns at dubstep tempo (140 BPM). Excision, Datsik, Flux Pavilion crossover sound. |
| Autonomic | 160-172 | 165 | Self-imposed 170 BPM 'speed limit' movement spearheaded by dBridge, Instra:mental and ASC on Exit Records around 2009-2011. Music first, drum & bass second: emotionally charged, spacious, sci-fi. |
| Jungle | 160-180 | 170 | The precursor to drum & bass. Chopped breakbeats, Jamaican sound system influence, and ragga/dancehall vocal samples. Goldie, Roni Size, LTJ Bukem. |
| Ragga Jungle | 160-180 | 170 | Heavy on Jamaican ragga vocal samples and dub influence. Congo Natty, General Levy, Aphrodite. The reggae-soundsystem branch of jungle. |
| Atmospheric D&B | 165-175 | 172 | Lush, ambient drum & bass: LTJ Bukem and Good Looking Records-defined. Jazz-tinged pads, deep bass, and meditative vibes. |
| Minimal D&B | 168-176 | 172 | Reduced, atmospheric D&B with sparse arrangements. Calibre, Marcus Intalex, dBridge's Autonomic sound. |
| Deep DnB | 168-176 | 172 | Moody, minimalist drum & bass with weighty sub-bass and immersive atmospheres. Calibre, LSB, Marcus Intalex, S.P.Y. The 'less is more' branch pioneered around the Soul:r label. |
| Liquid D&B | 170-178 | 174 | The melodic, soulful side of drum & bass. Smooth pads, vocals, and musical breakdowns over rolling beats. High Contrast, Calibre, London Elektricity. |
| Neurofunk | 170-178 | 174 | Technical, dark, and complex. Intricate sound design, glitchy bass, and precise engineering. Noisia, Black Sun Empire, Phace, Misanthrop. |
| Techstep | 168-178 | 174 | Late-90s dark, mechanical D&B that became the foundation for neurofunk. Ed Rush & Optical, Dom & Roland, Trace. No Knit roots. |
| Jump Up | 170-178 | 174 | Aggressive, crowd-oriented D&B with wobbly basslines and simple, high-energy arrangements designed to make people jump. Hazard, Original Sin, DJ Guv. |
| Darkstep | 170-180 | 174 | Aggressive, horror-tinged D&B. Distorted basslines, dark atmospheres, and brutal drops. Limewax, The Outside Agency, Cooh. |
| Halftime | 170-180 | 174 | D&B produced at 170+ BPM but with halftime drum patterns: feels like 85 BPM hip-hop. Ivy Lab, Stray, Sam Binga, Dabs. |
| Drumfunk | 170-178 | 174 | Edit-heavy, broken D&B prioritising chopped breakbeats over wobble bass. Paradox, Fanu, Equinox, Macc. The drummer's drum & bass. |
| Sambass | 170-180 | 174 | Brazilian D&B blended with samba percussion and bossa nova feel. DJ Marky, Patife, XRS Land. Brazilian movement of late 90s/early 2000s. |
| Crossbreed | 175-200 | 185 | Hybrid of D&B and hardcore: fast tempo, distorted hardcore kicks, and D&B drum patterns. Limewax, The Outside Agency, Forbidden Society. |
vibesdj.io/dj-tools - BPM ranges are practical DJ references, not strict genre boundaries.
Drum & Bass
Fast breakbeats and heavy sub-bass. Originated in the UK rave scene of the early 1990s. Energetic and bass-heavy.
Sub-genre tempo spectrum
16 stylesReading the grid
How to Read Drum & Bass BPM in DJ Software
Drum & Bass is usually mixed around 160-180 BPM, with 174 BPM as a practical DJ target. The reference tracks on this page span 70-180 BPM, so use the grid that makes loops and phrase markers line up cleanly.
| Reading | Meaning | Action |
|---|---|---|
| 160-180 BPM | Core Drum & Bass DJ range | Beatmatch normally, then check phrasing around intros, breaks, and drops. |
| 80-90 BPM | Halftime interpretation of the core range | Double the grid if 8-bar loops or cue points feel too slow. |
| 174 BPM | Practical target for crate filtering | Use as a starting point, then sort by energy, key, and arrangement. |
| < 160 BPM | Slower adjacent or bridge records | Treat as tempo bridges unless the grid doubles cleanly into the core range. |
DJ Overview for Drum & Bass
Use this as a mixing and library-prep description, not an encyclopedia entry.
| Aspect | Detail |
|---|---|
| Sound palette | Fast breakbeats, Heavy sub-bass, Complex drum patterns, Amen break |
| Drum feel | 160-180 BPM core range; check whether slower readings work better doubled or as halftime. |
| Arrangement and phrasing | Confirm intro, build, drop, breakdown, and outro cue points before trusting the analyzer value. |
| Energy use in a set | fast sections, double-time bridges, and high-intensity moments |
| Often compared with | Liquid D&B, Neurofunk, Techstep |
Mix Into Drum & Bass
Tempo overlap is only one part of the decision. These suggestions separate BPM fit from style fit so same-tempo but unrelated genres do not look like natural transitions.
| Genre | BPM fit | Style fit | Transition |
|---|---|---|---|
| Jungle160-180 BPM · typical 170 | High | High | Long blend, harmonic blend, or drop swap |
| Liquid D&B170-178 BPM · typical 174 | High | High | Long blend, harmonic blend, or drop swap |
| Atmospheric D&B165-175 BPM · typical 172 | High | High | Long blend, harmonic blend, or drop swap |
| Neurofunk170-178 BPM · typical 174 | High | High | Long blend, harmonic blend, or drop swap |
| Techstep168-178 BPM · typical 174 | High | High | Long blend, harmonic blend, or drop swap |
| Jump Up170-178 BPM · typical 174 | High | High | Long blend, harmonic blend, or drop swap |
| Darkstep170-180 BPM · typical 174 | High | High | Long blend, harmonic blend, or drop swap |
| Crossbreed175-200 BPM · typical 185 | High | High | Long blend, harmonic blend, or drop swap |
Reference Artists in Drum & Bass
Artists represented in the current Drum & Bass track sample:
| # | Artist | Tracks | Keys |
|---|---|---|---|
| 01 | Alpines | 1 track, 174 BPM | 7B |
| 02 | Andy C | 1 track, 174 BPM | 5B |
| 03 | Arlissa | 1 track, 174 BPM | 8A |
| 04 | Becky Hill | 1 track, 174 BPM | 9B |
| 05 | Camo & Krooked | 1 track, 175 BPM | 5A |
| 06 | Chase & Status | 1 track, 140 BPM | 8A |
Compare Nearby Styles
Primary reference for this page.
Same typical tempo; compare by arrangement and energy.
Same typical tempo; compare by arrangement and energy.
Same typical tempo; compare by arrangement and energy.
Same typical tempo; compare by arrangement and energy.
Common Keys for Drum & Bass
Most-used Camelot keys among the Drum & Bass tracks shown here:
Explore Related References
Mixing Tips
Tempo Window
Stay in the 160–180 BPM band for clean mixes; verify unknown tracks with the BPM tapper.
Harmonic Fit
Use the Camelot wheel to find compatible keys before transitioning, especially when Drum & Bass tracks have prominent melodic content.
Tempo Bridges
When bridging into a different tempo, use the key transposer to plan how pitch change affects key, or transition during a breakdown where the beat drops.
Next Reference
Browse the EDM genre BPM chart or the music genre tree to see how Drum & Bass relates to neighboring styles.
Typical Tempo
See tracks at the typical 174 BPM on the 174 BPM tracks page.

Hey, it's Ben Modigell 👋
I've been DJing and producing music as "so I so," focusing on downtempo, minimal, dub house, tech house, and techno. My background in digital marketing, web development, and UX design over the past 6 years helps me create DJ tutorials that are clear, practical, and easy to follow.
Methodology
Last updated
Author and Methodology
Maintained by Ben Modigell, founder of Vibes. Ben builds DJ library, preparation, BPM, and harmonic-mixing tools for working DJs.
- Data used
- 13 reference tracks
- Source
- Audio features sourced from ReccoBeats (https://reccobeats.com); track metadata via Spotify Search API. Spotify deprecated audio-features for new apps in Nov 2024. Manual label reference tracks use Beatport BPM/key metadata where available.
- Evidence
- 13 reference Drum & Bass tracks from a 391-track dataset; 10 sit inside the core DJ range and 3 are labeled as adjacent or outlier examples.
- How this page is made
- This page is generated from the Vibes genre taxonomy, curated reference tracks, computed evidence statistics, and reference track metadata where available. AI-assisted research helped draft the taxonomy notes; the visible page is rendered from structured data and reusable page logic.
Genre BPM ranges are practical DJ references, not statistical claims about every track. Different edits, live versions, and analysis engines may report slightly different tempos.
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