Electro BPM Chart
Visual BPM chart for Electro: core DJ range 110-135 BPM, practical target 128 BPM, and 7 sub-genres. Use it to plan tempo transitions and identify mixing partners.
Electro BPM Reference
Electro: 110-135 BPM, typical 128 BPM.
| Genre | BPM Range | Typical BPM | Notes |
|---|---|---|---|
| Electro | 110-135 | 128 | True electro: the funky, robotic style descended from Kraftwerk and Afrika Bambaataa. Built on TR-808 syncopation rather than four-on-the-floor. Distinct from 'electro house'. |
| Skweee | 80-110 | 95 | Slow-tempo Scandinavian electro-funk on cheap synths. Daniel Savio, Eero Johannes, Flogsta Danshall: the Flogsta scene's signature sound. |
| Electrofunk | 110-130 | 120 | Early-80s funk-electro hybrid. Talking-box vocals, P-funk DNA, and 808 bass. Zapp, Egyptian Lover, World Class Wreckin' Cru. |
| Electroclash | 118-130 | 124 | Early-2000s NY/Berlin retro-electro fusion with new wave vocals and analog synths. Fischerspooner, Miss Kittin, Peaches, Tiga, Vitalic. |
| Detroit Electro | 120-135 | 128 | Sci-fi, aquatic, futurist electro from Drexciya, Aux 88, Anthony Shake Shakir. Underground Resistance/Direct Beat label sound. |
| Miami Bass | 120-145 | 130 | Sub-bass-heavy 80s/90s Florida electro. 2 Live Crew, DJ Magic Mike, Luke. Booty-shake party music with massive 808 sub-bass. |
| Baile Funk | 130-150 | 140 | Funk carioca: Rio de Janeiro's hip-hop-inflected club music descended from Miami bass. Anitta, MC Kevin O Chris, DJ Polyvox. The modern '150 BPM' generation pushed the older 130 BPM standard up. |
| Kuduro | 130-150 | 140 | High-energy Angolan dance music fusing semba, zouk and techno. Buraka Som Sistema, Dog Murras, Tony Amado. Don Omar's 'Danza Kuduro' was the genre's mainstream crossover. |
vibesdj.io/dj-tools - BPM ranges are practical DJ references, not strict genre boundaries.
Electro
True electro: the funky, robotic style descended from Kraftwerk and Afrika Bambaataa. Built on TR-808 syncopation rather than four-on-the-floor. Distinct from 'electro house'.
Sub-genre BPM landscape
Electro sub-genres
Electrofunk
110–130Early-80s funk-electro hybrid. Talking-box vocals, P-funk DNA, and 808 bass. Zapp, Egyptian Lover, World Class Wreckin' Cru.
Detroit Electro
120–135Sci-fi, aquatic, futurist electro from Drexciya, Aux 88, Anthony Shake Shakir. Underground Resistance/Direct Beat label sound.
Miami Bass
120–145Sub-bass-heavy 80s/90s Florida electro. 2 Live Crew, DJ Magic Mike, Luke. Booty-shake party music with massive 808 sub-bass.
Electroclash
118–130Early-2000s NY/Berlin retro-electro fusion with new wave vocals and analog synths. Fischerspooner, Miss Kittin, Peaches, Tiga, Vitalic.
Baile Funk
130–150Funk carioca: Rio de Janeiro's hip-hop-inflected club music descended from Miami bass. Anitta, MC Kevin O Chris, DJ Polyvox. The modern '150 BPM' generation pushed the older 130 BPM standard up.
Kuduro
130–150High-energy Angolan dance music fusing semba, zouk and techno. Buraka Som Sistema, Dog Murras, Tony Amado. Don Omar's 'Danza Kuduro' was the genre's mainstream crossover.
Skweee
80–110Slow-tempo Scandinavian electro-funk on cheap synths. Daniel Savio, Eero Johannes, Flogsta Danshall: the Flogsta scene's signature sound.
- Core DJ range
- 110–135 BPM
- Practical target
- 128 BPM
- Track spread
- 90–133 BPM
- Track evidence
- View 12 reference tracks
Chart ranges are DJ planning references. Check the grid and phrase markers on the exact track edit before mixing.
About Electro BPM
True electro: the funky, robotic style descended from Kraftwerk and Afrika Bambaataa. Built on TR-808 syncopation rather than four-on-the-floor. Distinct from 'electro house'. The core DJ range spans 110-135, with 128 BPM as a practical target. Sub-genres split the parent genre into narrower tempo bands, which is why this chart is more useful than one number alone.
How to Read Electro BPM in DJ Software
Electro is usually mixed around 110-135 BPM, with 128 BPM as a practical DJ target. The reference tracks on this page span 90-133 BPM, so use the grid that makes loops and phrase markers line up cleanly.
Track Evidence
This table separates the core DJ range from the tracks shown here, so the page can be useful without hiding bridge records or outliers.
- Tracks shown
- 9
- Track spread
- 90-133 BPM
- Below core range
- 2 tracks
- Inside core range
- 7 tracks
- Above core range
- 0 tracks
- Mean of shown tracks
- 117 BPM
- Median of shown tracks
- 123 BPM
- Evidence level
- Limited but reviewed: 9 tracks, 7 core examples
DJ Overview for Electro
Use this as a mixing and library-prep description, not an encyclopedia entry.
Tracks in Electro, by Sub-Genre
Real tracks in our reference set, grouped by sub-genre:
Related Charts
Mix Into Electro
Tempo overlap is only one part of the decision. These suggestions separate BPM fit from style fit so same-tempo but unrelated genres do not look like natural transitions.
Hey, it's Ben Modigell 👋
I've been DJing and producing music as "so I so," focusing on downtempo, minimal, dub house, tech house, and techno. My background in digital marketing, web development, and UX design over the past 6 years helps me create DJ tutorials that are clear, practical, and easy to follow.
Author and Methodology
Maintained by Ben Modigell
Ben is the founder of Vibes and builds DJ library, preparation, BPM, and harmonic-mixing tools for working DJs.
Last updated:
Data used: 7 mapped sub-genres and 12 reference tracks
Evidence: 7 Electro sub-genres and 12 reference tracks from a 290-track reference dataset.
Source: Audio features sourced from ReccoBeats (https://reccobeats.com); track metadata via Spotify Search API. Spotify deprecated audio-features for new apps in Nov 2024. Manual label reference tracks use Beatport BPM/key metadata where available.
How this page is made: This chart is generated from the Vibes genre taxonomy and reference track metadata where available. AI-assisted research helped draft taxonomy notes; chart ranges and tables are rendered from structured data.
Chart ranges are designed for DJ set planning. Producers can release tracks outside these ranges, especially remixes, VIP edits, live versions, and halftime arrangements.
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