Dubstep BPM Chart
Visual BPM chart for Dubstep: core DJ range 138-142 BPM, practical target 140 BPM, and 11 sub-genres. Use it to plan tempo transitions and identify mixing partners.
Dubstep BPM Reference
Dubstep: 138-142 BPM, typical 140 BPM.
| Genre | BPM Range | Typical BPM | Notes |
|---|---|---|---|
| Dubstep | 138-142 | 140 | Heavy wobble bass, syncopated rhythms, and sparse arrangements at half-time feel. Originated in South London. |
| Future Garage | 130-140 | 135 | Atmospheric, vocal-chopped UK garage descendant: Burial, Untold, Pearson Sound. Late-night, rain-soaked, post-dubstep emotional sound. |
| Post-Dubstep | 130-140 | 135 | Post-2010 sound that took dubstep tempos but dropped wobble bass for songcraft and introspection. James Blake, Mount Kimbie, SBTRKT. |
| Wonky | 130-140 | 135 | Off-grid, syncopated bass music: drunken-feel rhythms and pitch-bent synths. Hudson Mohawke, Rustie, Flying Lotus crossover with the Glasgow LuckyMe scene. |
| Deep Dubstep | 138-142 | 140 | The original UK dubstep sound: deep sub-bass, minimal percussion, and dark, spacious atmospheres. Rooted in dub and garage. Mala, Coki, Loefah, Skream. |
| Melodic Dubstep | 138-150 | 140 | Combines dubstep's bass weight with emotional melodies, vocals, and cinematic production. Popularized by Seven Lions and Illenium. |
| 140 / Deep Bass | 138-142 | 140 | The modern UK underground dubstep sound: half-time, sub-bass driven, minimal. Hessle Audio, Tempa, Deep Medi-aligned. Often labelled simply '140'. |
| Chillstep | 138-142 | 140 | Calm, ambient-toned dubstep with soft pads and gentle bass. Blackmill, CMA, Phaeleh. YouTube/SoundCloud-heritage relaxation soundtrack. |
| Grime | 135-145 | 140 | London MC-driven 140 BPM bass music: Wiley, Skepta, Dizzee Rascal, Stormzy. Eskibeat ancestry, dubstep cousin, hip-hop tempo. |
| Brostep | 140-150 | 145 | Aggressive, mid-range focused dubstep popularized by Skrillex. Heavy drops, complex sound design, and festival-oriented energy. |
| Riddim | 140-150 | 145 | Minimalist, repetitive dubstep with heavy emphasis on wobble patterns and triplet rhythms. Stripped back but hard-hitting. Subtronics, Infekt, PhaseOne. |
| Tearout Dubstep | 140-150 | 145 | Aggressive UK-style dubstep with brutal mid-range bass. Trampa, Funtcase, Walter Wilde, Eptic. The harder UK answer to brostep. |
vibesdj.io/dj-tools - BPM ranges are practical DJ references, not strict genre boundaries.
Dubstep
Heavy wobble bass, syncopated rhythms, and sparse arrangements at half-time feel. Originated in South London.
Sub-genre BPM landscape
Dubstep sub-genres
Deep Dubstep
138–142The original UK dubstep sound: deep sub-bass, minimal percussion, and dark, spacious atmospheres. Rooted in dub and garage. Mala, Coki, Loefah, Skream.
Brostep
140–150Aggressive, mid-range focused dubstep popularized by Skrillex. Heavy drops, complex sound design, and festival-oriented energy.
Riddim
140–150Minimalist, repetitive dubstep with heavy emphasis on wobble patterns and triplet rhythms. Stripped back but hard-hitting. Subtronics, Infekt, PhaseOne.
Melodic Dubstep
138–150Combines dubstep's bass weight with emotional melodies, vocals, and cinematic production. Popularized by Seven Lions and Illenium.
Tearout Dubstep
140–150Aggressive UK-style dubstep with brutal mid-range bass. Trampa, Funtcase, Walter Wilde, Eptic. The harder UK answer to brostep.
140 / Deep Bass
138–142The modern UK underground dubstep sound: half-time, sub-bass driven, minimal. Hessle Audio, Tempa, Deep Medi-aligned. Often labelled simply '140'.
Future Garage
130–140Atmospheric, vocal-chopped UK garage descendant: Burial, Untold, Pearson Sound. Late-night, rain-soaked, post-dubstep emotional sound.
Post-Dubstep
130–140Post-2010 sound that took dubstep tempos but dropped wobble bass for songcraft and introspection. James Blake, Mount Kimbie, SBTRKT.
Wonky
130–140Off-grid, syncopated bass music: drunken-feel rhythms and pitch-bent synths. Hudson Mohawke, Rustie, Flying Lotus crossover with the Glasgow LuckyMe scene.
Chillstep
138–142Calm, ambient-toned dubstep with soft pads and gentle bass. Blackmill, CMA, Phaeleh. YouTube/SoundCloud-heritage relaxation soundtrack.
Grime
135–145London MC-driven 140 BPM bass music: Wiley, Skepta, Dizzee Rascal, Stormzy. Eskibeat ancestry, dubstep cousin, hip-hop tempo.
- Core DJ range
- 138–142 BPM
- Practical target
- 140 BPM
- Track spread
- 110–174 BPM
- Track evidence
- View 11 reference tracks
Chart ranges are DJ planning references. Check the grid and phrase markers on the exact track edit before mixing.
About Dubstep BPM
Heavy wobble bass, syncopated rhythms, and sparse arrangements at half-time feel. Originated in South London. The core DJ range spans 138-142, with 140 BPM as a practical target. Sub-genres split the parent genre into narrower tempo bands, which is why this chart is more useful than one number alone.
How to Read Dubstep BPM in DJ Software
Dubstep is usually mixed around 138-142 BPM, with 140 BPM as a practical DJ target. The reference tracks on this page span 110-174 BPM, so use the grid that makes loops and phrase markers line up cleanly.
Track Evidence
This table separates the core DJ range from the tracks shown here, so the page can be useful without hiding bridge records or outliers.
- Tracks shown
- 8
- Track spread
- 110-174 BPM
- Below core range
- 1 track
- Inside core range
- 4 tracks
- Above core range
- 3 tracks
- Mean of shown tracks
- 142 BPM
- Median of shown tracks
- 140 BPM
- Evidence level
- Limited but reviewed: 8 tracks, 4 core examples
DJ Overview for Dubstep
Use this as a mixing and library-prep description, not an encyclopedia entry.
Tracks in Dubstep, by Sub-Genre
Real tracks in our reference set, grouped by sub-genre:
Riddim(140–150 BPM)
Related Charts
Mix Into Dubstep
Tempo overlap is only one part of the decision. These suggestions separate BPM fit from style fit so same-tempo but unrelated genres do not look like natural transitions.
Hey, it's Ben Modigell 👋
I've been DJing and producing music as "so I so," focusing on downtempo, minimal, dub house, tech house, and techno. My background in digital marketing, web development, and UX design over the past 6 years helps me create DJ tutorials that are clear, practical, and easy to follow.
Author and Methodology
Maintained by Ben Modigell
Ben is the founder of Vibes and builds DJ library, preparation, BPM, and harmonic-mixing tools for working DJs.
Last updated:
Data used: 11 mapped sub-genres and 11 reference tracks
Evidence: 11 Dubstep sub-genres and 11 reference tracks from a 290-track reference dataset.
Source: Audio features sourced from ReccoBeats (https://reccobeats.com); track metadata via Spotify Search API. Spotify deprecated audio-features for new apps in Nov 2024. Manual label reference tracks use Beatport BPM/key metadata where available.
How this page is made: This chart is generated from the Vibes genre taxonomy and reference track metadata where available. AI-assisted research helped draft taxonomy notes; chart ranges and tables are rendered from structured data.
Chart ranges are designed for DJ set planning. Producers can release tracks outside these ranges, especially remixes, VIP edits, live versions, and halftime arrangements.
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