Streaming & Digital

True Peak

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The actual maximum peak level of a digital audio signal, including inter-sample peaks that standard sample-level metering misses.

True Peak measures the highest instantaneous level an audio signal will reach after digital-to-analog conversion, including peaks that occur between individual sample points (inter-sample peaks). Standard sample-level meters can underestimate these peaks, meaning a file that reads at -1 dBFS on a peak meter may still clip during playback on a DAC or streaming platform.

Why it matters

Streaming platforms and broadcast standards specify True Peak ceilings (commonly -1 dBTP or -2 dBTP) precisely because inter-sample peaks cause audible distortion on consumer playback devices. A DJ submitting a mix for broadcast, podcast, or streaming distribution needs to respect the True Peak limit, not just the sample peak, to avoid clipping artifacts in the delivered file.

In practice

When exporting a recorded mix, set your True Peak ceiling to -1 dBTP or lower in your limiter or mastering chain. A True Peak-compliant limiter (available in most modern DAWs) catches inter-sample overshoots that a standard brickwall limiter will miss.

Frequently asked questions

Sample peak measures the highest value at each discrete digital sample point. True Peak oversamples the signal (typically by 4x, the minimum required by ITU-R BS.1770, or higher) to reconstruct the continuous waveform and find peaks that fall between samples. Those inter-sample peaks can exceed the sample peak level by up to 3 dB in real-world content and cause clipping during digital-to-analog conversion even if the sample peak stays below 0 dBFS.
Most streaming platforms and broadcast specifications require a True Peak ceiling of -1 dBTP. Spotify, Apple Music, Tidal, Deezer, and the EBU R128 broadcast standard all specify -1 dBTP. Some platforms set a stricter limit: Netflix and Amazon Music require -2 dBTP. A safe default for any distribution context is -1 dBTP, which also leaves headroom to survive encoding, since MP3 or AAC transcoding can raise True Peak levels slightly after conversion.
During a live set, inter-sample clipping at the output of a mixer or controller is handled by the downstream amplifier and PA chain, and club engineers typically manage master levels. True Peak becomes relevant when a DJ records and exports a mix for distribution, podcast release, or broadcast, because the rendered audio file must comply with platform loudness and peak specifications.
Ben Modigell

Hey, it's Ben Modigell 👋

I DJ and produce as so I so — downtempo, minimal, dub house, tech house, and techno (releases on Spotify and SoundCloud, links above). Everything I write here comes from my own gigs, studio sessions, and library cleanups: the rules I follow, the failure modes I've actually hit, and the workflow I use when nobody's watching. If a technique didn't earn its place in my own sets, it doesn't make it into a tutorial.

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