God Will Be There - For You Remix
- BPM
- 132
- Open Key
- 6m
- Energy
- 77/100
- Pop
- 4/100
- Length
- 6:20
- Released
- 2001
- Album
- New Trends Sounds 2004 (Part 1)
- Genre
- Uk Garage
- Loudness
- -4.3 dB
- ISRC
- GBCPZ0418254
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- God Will Be There - Low Steppa Remixremix1A · 127
- God Will Be Thereoriginal3B · 128
- God Will Be Thereoriginal12A · 127
Against the original (3B at 128 BPM), this version runs 4 BPM faster and moves the key from 3B to 1A.
God Will Be There - For You Remix runs 132 BPM in A♭ minor (1A), a peak-time tempo uk garage record. The feel is bright and euphoric. The master is loud and heavily compressed. A 2001 production that still circulates in sets. Brighter than 98% of Todd Edwards's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- groovier than 75% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is God Will Be There - For You Remix in?
God Will Be There - For You Remix by Todd Edwards is in A♭ minor, or 1A on the Camelot wheel.
What BPM is God Will Be There - For You Remix?
God Will Be There - For You Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with God Will Be There - For You Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is God Will Be There - For You Remix good for peak time?
With energy 77 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 132 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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