God Will Be There - Low Steppa Remix
30s preview
- BPM
- 127
- Open Key
- 6m
- Energy
- 89/100
- Pop
- 8/100
- Length
- 3:22
- Released
- 2023
- Album
- God Will Be There (Low Steppa Remix)
- Genre
- Uk Garage
- Loudness
- -6.7 dB
- Dynamics
- 12.2 dB
- ISRC
- GBCPZ2322419
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- God Will Be There - For You Remixremix1A · 132
- God Will Be Thereoriginal3B · 128
- God Will Be Thereoriginal12A · 127
Against the original (3B at 128 BPM), this version runs 1 BPM slower and moves the key from 3B to 1A.
God Will Be There - Low Steppa Remix: peak-time tempo uk garage, A♭ minor (1A), 127 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 91% of Todd Edwards's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 91% of Todd Edwards's catalogue
- Energy:
- hotter than 84% of Todd Edwards's catalogue
- Reach:
- better known than 82% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is God Will Be There - Low Steppa Remix in?
God Will Be There - Low Steppa Remix by Todd Edwards is in A♭ minor, or 1A on the Camelot wheel.
What BPM is God Will Be There - Low Steppa Remix?
God Will Be There - Low Steppa Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with God Will Be There - Low Steppa Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is God Will Be There - Low Steppa Remix good for peak time?
With energy 89 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 127 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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