Work 2007 - Deep Life Vocal Remix
- BPM
- 128
- Open Key
- 5m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 6:37
- Released
- 2002
- Album
- Work 2007
- Genre
- House
- Loudness
- -6.9 dB
- ISRC
- GBCFZ0701300
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Work 2007 - Dancing DJs Remixremix4B · 142
- Work 2007 - Extended Mixversion9B · 130
- Work 2007 - House Agents Remixremix8B · 128
- Work 2007 - Kenny Hayes Clubs Addiction Remixremix4B · 128
- Work 2007 - Kenny Hayes Dub Additiction Remixremix3B · 128
- Work 2007 - Milk & Sugar Remixremix4B · 126
At 128 BPM in D♭ minor (12A), Work 2007 - Deep Life Vocal Remix is a peak-time tempo house production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2002 production that still circulates in sets. More underground than 99% of Masters At Work's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 89% of Masters At Work's catalogue
- Tempo:
- faster than 82% of Masters At Work's catalogue
- Groove:
- less groove-driven than 79% of Masters At Work's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Work 2007 - Deep Life Vocal Remix in?
Work 2007 - Deep Life Vocal Remix by Masters At Work is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Work 2007 - Deep Life Vocal Remix?
Work 2007 - Deep Life Vocal Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Work 2007 - Deep Life Vocal Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Work 2007 - Deep Life Vocal Remix good for peak time?
With energy 92 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 128 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Masters At Work
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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