Feel You
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 94/100
- Pop
- 7/100
- Length
- 5:46
- Released
- 2020
- Album
- Keep On EP
- Genre
- Tech House
- Loudness
- -7.0 dB
- Dynamics
- 10.6 dB
- ISRC
- GBKQU2082840
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Feel You is a peak-time tempo tech house track in F♯ minor (11A) at 128 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 78% of Sidney Charles's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 75% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Feel You in?
Feel You by Sidney Charles is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Feel You?
Feel You runs at 128 BPM, a peak-time tempo track.
What mixes well with Feel You?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Feel You good for peak time?
With energy 94 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
![7 Seconds (James Hype Dub) [feat. Shamiya Battles] - Radio Edit by James Hype cover art](https://i.scdn.co/image/ab67616d00001e026765d0883c039e176b6c34e3){kind=small}
More tech house
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More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![7 Seconds (James Hype Dub) [feat. Shamiya Battles] - Extended Mix by James Hype cover art](https://i.scdn.co/image/ab67616d00001e0273ad330a49b697de19118f71){kind=small}
