Trip Advisor (Rhythm, Snare, Bass)
30s preview
- Key
- 4A · F minor
- BPM
- 133
- Open Key
- 9m
- Energy
- 92/100
- Pop
- 54/100
- Length
- 3:26
- Released
- 2024
- Album
- Trip Advisor EP
- Genre
- Tech House
- Label
- Heavy House Society
- Loudness
- -6.8 dB
- Dynamics
- 11.3 dB
- ISRC
- GBKQU2496469
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trip Advisor (Rhythm, Snare, Bass) - 2025 Warp Mixoriginal8B · 136
A peak-time tempo tech house cut, Trip Advisor (Rhythm, Snare, Bass) sits in F minor (4A) at 133 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Faster than 99% of Sidney Charles's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 99% of Sidney Charles's catalogue
- Groove:
- less groove-driven than 92% of Sidney Charles's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Trip Advisor (Rhythm, Snare, Bass) in?
Trip Advisor (Rhythm, Snare, Bass) by Sidney Charles is in F minor, or 4A on the Camelot wheel.
What BPM is Trip Advisor (Rhythm, Snare, Bass)?
Trip Advisor (Rhythm, Snare, Bass) runs at 133 BPM, a peak-time tempo track.
What mixes well with Trip Advisor (Rhythm, Snare, Bass)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Trip Advisor (Rhythm, Snare, Bass) good for peak time?
With energy 92 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 133 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More tech house
More from Sidney Charles
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
