Give It Some - Edit
30s preview
- BPM
- 133
- Open Key
- 8m
- Energy
- 89/100
- Pop
- 15/100
- Length
- 4:23
- Released
- 2023
- Album
- Give It Some
- Genre
- Tech House
- Loudness
- -8.3 dB
- Dynamics
- 13.7 dB
- ISRC
- GBJX32352522
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Give It Someoriginal3A · 133
Against the original (3A at 133 BPM), this version holds the same tempo in the same key.
Give It Some - Edit runs 133 BPM in B♭ minor (3A), a peak-time tempo tech house record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 14 dB). Better known than 98% of Seb Zito's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 97% of Seb Zito's catalogue
- Tempo:
- faster than 89% of Seb Zito's catalogue
- Low end:
- more treble-tilted than 86% of Seb Zito's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Give It Some - Edit in?
Give It Some - Edit by Seb Zito is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Give It Some - Edit?
Give It Some - Edit runs at 133 BPM, a peak-time tempo track.
What mixes well with Give It Some - Edit?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Give It Some - Edit good for peak time?
With energy 89 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 133 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More tech house
More from Seb Zito
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
