Won’t Stop (Don’t)
30s preview
- Key
- 4A · F minor
- BPM
- 133
- Open Key
- 9m
- Energy
- 86/100
- Pop
- 58/100
- Length
- 3:53
- Released
- 2024
- Genre
- Deep House
- Loudness
- -7.2 dB
- Dynamics
- 11.3 dB
- ISRC
- UKU932483278
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 133 BPM in F minor (4A), Won’t Stop (Don’t) is a peak-time tempo deep house production. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Better known than 96% of Chris Stussy's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 95% of Chris Stussy's catalogue
- Tempo:
- faster than 82% of Chris Stussy's catalogue
- Low end:
- more treble-tilted than 78% of Chris Stussy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Won’t Stop (Don’t) in?
Won’t Stop (Don’t) by Chris Stussy is in F minor, or 4A on the Camelot wheel.
What BPM is Won’t Stop (Don’t)?
Won’t Stop (Don’t) runs at 133 BPM, a peak-time tempo track.
What mixes well with Won’t Stop (Don’t)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Won’t Stop (Don’t) good for peak time?
With energy 86 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 133 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More deep house
More from Chris Stussy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
