Make It Right by Alan Fitzpatrick cover art

Make It Right

Alan Fitzpatrick

30s preview

Key
11A · F♯ minor
BPM
133
Open Key
4m
Energy
88/100
Pop
48/100
Length
2:57
Released
2026
Genre
Techno
Loudness
-5.8 dB
Dynamics
10.0 dB
ISRC
GB3CE2600015

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo techno cut, Make It Right sits in F♯ minor (11A) at 133 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 99% of Alan Fitzpatrick's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 99% of Alan Fitzpatrick's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood90Bright
Groove76
Acoustic2
Instrumental0
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
18%
High
2.5-11 kHz

FAQ

What key is Make It Right in?

Make It Right by Alan Fitzpatrick is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Make It Right?

Make It Right runs at 133 BPM, a peak-time tempo track.

What mixes well with Make It Right?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Make It Right good for peak time?

With energy 88 out of 100 at 133 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#Track

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 133 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 133 — beatmatch without a big tempo pull.

More techno

#Track

More from Alan Fitzpatrick

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track