Liquid Rocks
30s preview
- BPM
- 133
- Open Key
- 3m
- Energy
- 90/100
- Pop
- 0/100
- Length
- 5:48
- Released
- 2025
- Genre
- Deep House
- Loudness
- -7.9 dB
- Dynamics
- 13.0 dB
- ISRC
- UKU932581535
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Liquid Rocks runs 133 BPM in B minor (10A), a peak-time tempo deep house record. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Chris Stussy's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 94% of Chris Stussy's catalogue
- Brightness:
- darker than 94% of Chris Stussy's catalogue
- Tempo:
- faster than 82% of Chris Stussy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Liquid Rocks in?
Liquid Rocks by Chris Stussy is in B minor, or 10A on the Camelot wheel.
What BPM is Liquid Rocks?
Liquid Rocks runs at 133 BPM, a peak-time tempo track.
What mixes well with Liquid Rocks?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Liquid Rocks good for peak time?
With energy 90 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Techno Monkey - [ Wex 10 ] Remix by Simina Grigoriu cover art](https://i.scdn.co/image/ab67616d00001e02197123acc69cc9484e3810ac){kind=small}
How to mix it
In 10A at 133 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More deep house
More from Chris Stussy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
