It's About Us
30s preview
- BPM
- 133
- Open Key
- 3m
- Energy
- 93/100
- Pop
- 54/100
- Length
- 3:53
- Released
- 2025
- Genre
- House
- Label
- CSS
- Loudness
- -7.1 dB
- Dynamics
- 19.3 dB
- ISRC
- UKU932483904
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It’s About Usoriginal10A · 133
A peak-time tempo house cut, It's About Us sits in B minor (10A) at 133 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 19 dB). Less groove-driven than 99% of Chris Stussy's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- better known than 95% of Chris Stussy's catalogue
- Brightness:
- darker than 94% of Chris Stussy's catalogue
- Low end:
- more treble-tilted than 94% of Chris Stussy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is It's About Us in?
It's About Us by Chris Stussy is in B minor, or 10A on the Camelot wheel.
What BPM is It's About Us?
It's About Us runs at 133 BPM, a peak-time tempo track.
What mixes well with It's About Us?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is It's About Us good for peak time?
With energy 93 out of 100 at 133 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 133 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More house
More from Chris Stussy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
