Distorted Reality
30s preview
- BPM
- 134
- Open Key
- 4m
- Energy
- 96/100
- Pop
- 5/100
- Length
- 6:05
- Released
- 2025
- Genre
- Techno
- Loudness
- -6.7 dB
- Dynamics
- 12.0 dB
- ISRC
- GBKQU2519114
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Distorted Realityoriginal11A · 134
Distorted Reality runs 134 BPM in F♯ minor (11A), a peak-time tempo techno record. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 91% of NoNameLeft's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 84% of NoNameLeft's catalogue
- Low end:
- more treble-tilted than 81% of NoNameLeft's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Distorted Reality in?
Distorted Reality by NoNameLeft is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Distorted Reality?
Distorted Reality runs at 134 BPM, a peak-time tempo track.
What mixes well with Distorted Reality?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Distorted Reality good for peak time?
With energy 96 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 134 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More techno
More from NoNameLeft
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
