The Second Law of Thermodynamics by NoNameLeft cover art

The Second Law of Thermodynamics

NoNameLeft

30s preview

Key
9B · G major
BPM
128
Open Key
2d
Energy
84/100
Pop
35/100
Length
6:21
Released
2022
Genre
Techno
Loudness
-8.2 dB
Dynamics
14.6 dB
ISRC
DEH742174883

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Second Law of Thermodynamics is a peak-time tempo techno track in G major (9B) at 128 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). Better known than 97% of NoNameLeft's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 91% of NoNameLeft's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood32Dark
Groove72
Acoustic1
Instrumental76
Live10
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is The Second Law of Thermodynamics in?

The Second Law of Thermodynamics by NoNameLeft is in G major, or 9B on the Camelot wheel.

What BPM is The Second Law of Thermodynamics?

The Second Law of Thermodynamics runs at 128 BPM, a peak-time tempo track.

What mixes well with The Second Law of Thermodynamics?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is The Second Law of Thermodynamics good for peak time?

With energy 84 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More techno

More from NoNameLeft

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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