Stand Alone (feat. Jareth Johnson) - Alternative Club Mix
- Key
- 9A · E minor
- BPM
- 128
- Open Key
- 2m
- Energy
- 85/100
- Pop
- 3/100
- Length
- 5:45
- Released
- 2012
- Album
- Stand Alone (feat. Jareth) (feat. Jareth Johnson)
- Genre
- House
- Loudness
- -3.9 dB
- ISRC
- USUS11200717
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stand Alone (feat. Jareth Johnson)original8B · 128
- Stand Alone (feat. Jareth Johnson) - Federico Scavo Remixremix11B · 127
- Stand Alone (feat. Jareth Johnson) - Zorastra Remixremix10A · 128
- Stand Alone (radio edit)version8A · 128
Against the original (8B at 128 BPM), this version holds the same tempo and moves the key from 8B to 9A.
Stand Alone (feat. Jareth Johnson) - Alternative Club Mix is a peak-time tempo house track in E minor (9A) at 128 BPM. The master is loud and heavily compressed. A 2012 production that still circulates in sets. Darker than 93% of Chris Lake's catalogue.
- Groove:
- less groove-driven than 85% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stand Alone (feat. Jareth Johnson) - Alternative Club Mix in?
Stand Alone (feat. Jareth Johnson) - Alternative Club Mix by Chris Lake is in E minor, or 9A on the Camelot wheel.
What BPM is Stand Alone (feat. Jareth Johnson) - Alternative Club Mix?
Stand Alone (feat. Jareth Johnson) - Alternative Club Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Stand Alone (feat. Jareth Johnson) - Alternative Club Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Stand Alone (feat. Jareth Johnson) - Alternative Club Mix good for peak time?
With energy 85 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 128 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
