Turn off the Lights
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 75/100
- Pop
- 67/100
- Length
- 3:31
- Released
- 2018
- Genre
- House
- Loudness
- -5.5 dB
- Dynamics
- 17.6 dB
- ISRC
- QMDA61831832
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Turn off the Lights - Cages Remixremix10A · 125
- Turn Off The Lights - Cloonee Remixremix10A · 128
At 125 BPM in B minor (10A), Turn off the Lights is a club-tempo house production. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps unusual dynamic range for club music (crest 18 dB). A 2018 production that still circulates in sets. Better known than 98% of Chris Lake's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more treble-tilted than 98% of Chris Lake's catalogue
- Brightness:
- brighter than 94% of Chris Lake's catalogue
- Tempo:
- slower than 90% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 22%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Turn off the Lights in?
Turn off the Lights by Chris Lake is in B minor, or 10A on the Camelot wheel.
What BPM is Turn off the Lights?
Turn off the Lights runs at 125 BPM, a club-tempo track.
What mixes well with Turn off the Lights?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Turn off the Lights good for peak time?
With energy 75 out of 100 at 125 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
