Ease My Mind (extended mix)
- BPM
- 130
- Open Key
- 4m
- Energy
- 90/100
- Pop
- 54/100
- Length
- 3:51
- Released
- 2025
- Genre
- House
- Loudness
- -4.3 dB
- ISRC
- GXFCP2500133
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ease My Mindoriginal1A · 126
Against the original (1A at 126 BPM), this version runs 4 BPM faster and moves the key from 1A to 11A.
Ease My Mind (extended mix) runs 130 BPM in F♯ minor (11A), a peak-time tempo house record. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 94% of Chris Lake's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 86% of Chris Lake's catalogue
- Brightness:
- brighter than 85% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Ease My Mind (extended mix) in?
Ease My Mind (extended mix) by Chris Lake is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Ease My Mind (extended mix)?
Ease My Mind (extended mix) runs at 130 BPM, a peak-time tempo track.
What mixes well with Ease My Mind (extended mix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Ease My Mind (extended mix) good for peak time?
With energy 90 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 130 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
