Voltage (radio edit)
30s preview
- BPM
- 130
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 3:05
- Released
- 2016
- Genre
- Electro House
- Loudness
- -4.4 dB
- Dynamics
- 13.2 dB
- ISRC
- NLS241600452
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Voltage - Radio Editversion10A · 130
- Voltage - Mix Cutoriginal10A · 130
- Voltage (Extended Mix)version10B · 130
Against the original (10A at 130 BPM), this version holds the same tempo in the same key.
Voltage (radio edit): peak-time tempo electro house, B minor (10A), 130 BPM. Tonally it lands punchy, neutral in mood. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. More underground than 99% of Maddix's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 85% of Maddix's catalogue
- Brightness:
- brighter than 82% of Maddix's catalogue
- Tempo:
- slower than 75% of Maddix's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Voltage (radio edit) in?
Voltage (radio edit) by Maddix is in B minor, or 10A on the Camelot wheel.
What BPM is Voltage (radio edit)?
Voltage (radio edit) runs at 130 BPM, a peak-time tempo track.
What mixes well with Voltage (radio edit)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Voltage (radio edit) good for peak time?
With energy 91 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 130 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
