light years (feat. Inéz) - Matt Sassari Remix
30s preview
- Key
- 9A · E minor
- BPM
- 130
- Open Key
- 2m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 2:30
- Released
- 2025
- Album
- light years (feat. Inéz) [Matt Sassari Remix]
- Genre
- House
- Loudness
- -7.2 dB
- Dynamics
- 12.5 dB
- ISRC
- USUG12505273
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Light Years (Matt Sassari extended remix)remix9A · 138
- light years (feat. Inéz)original11B · 138
Against the original (11B at 138 BPM), this version runs 8 BPM slower and moves the key from 11B to 9A.
light years (feat. Inéz) - Matt Sassari Remix runs 130 BPM in E minor (9A), a peak-time tempo house record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of John Summit's catalogue.
- Brightness:
- darker than 88% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is light years (feat. Inéz) - Matt Sassari Remix in?
light years (feat. Inéz) - Matt Sassari Remix by John Summit is in E minor, or 9A on the Camelot wheel.
What BPM is light years (feat. Inéz) - Matt Sassari Remix?
light years (feat. Inéz) - Matt Sassari Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with light years (feat. Inéz) - Matt Sassari Remix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is light years (feat. Inéz) - Matt Sassari Remix good for peak time?
With energy 88 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 130 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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