Hiatus - Evrydaydowners Remix
- Key
- 5A · C minor
- BPM
- 130
- Open Key
- 10m
- Energy
- 87/100
- Pop
- 0/100
- Length
- 9:18
- Released
- 2004
- Album
- Hiatus EP
- Genre
- House
- Loudness
- -10.3 dB
- ISRC
- USA2P0600875
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hiatusoriginal3A · 125
- Hiatus - Kingkade Remixremix9B · 128
- Hiatus - Smight Remixremix3B · 121
Against the original (3A at 125 BPM), this version runs 5 BPM faster and moves the key from 3A to 5A.
A peak-time tempo house cut, Hiatus - Evrydaydowners Remix sits in C minor (5A) at 130 BPM. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. More underground than 99% of Chris Lake's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 92% of Chris Lake's catalogue
- Tempo:
- faster than 86% of Chris Lake's catalogue
- Brightness:
- darker than 80% of Chris Lake's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hiatus - Evrydaydowners Remix in?
Hiatus - Evrydaydowners Remix by Chris Lake is in C minor, or 5A on the Camelot wheel.
What BPM is Hiatus - Evrydaydowners Remix?
Hiatus - Evrydaydowners Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Hiatus - Evrydaydowners Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Hiatus - Evrydaydowners Remix good for peak time?
With energy 87 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
![Helium (feat. Jareth) [Tigerlily Remix] by Chris Lake cover art](https://i.scdn.co/image/ab67616d00001e02f5a311319f17e656b6ab00b4){kind=small}
How to mix it
In 5A at 130 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Chris Lake
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
