Lionheart - Supernatet Extended Remix by Marcus Schössow cover art

Lionheart - Supernatet Extended Remix

Marcus Schössow

30s preview

Key
8B · C major
BPM
130
Open Key
1d
Energy
84/100
Pop
0/100
Length
5:33
Released
2015
Album
Lionheart (Remixes)
Genre
Electro
Label
disco:wax
Loudness
-4.4 dB
Dynamics
19.3 dB
ISRC
NLF711504482

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 120 BPM), this version runs 10 BPM faster and moves the key from 9B to 8B.

A peak-time tempo electro cut, Lionheart - Supernatet Extended Remix sits in C major (8B) at 130 BPM. It reads as punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 19 dB). A 2015 production that still circulates in sets. More underground than 99% of Marcus Schössow's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 99% of Marcus Schössow's catalogue
Tempo:
faster than 81% of Marcus Schössow's catalogue
Brightness:
brighter than 79% of Marcus Schössow's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood44Balanced
Groove63
Acoustic1
Instrumental17
Live21
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
20%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
28%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Lionheart - Supernatet Extended Remix in?

Lionheart - Supernatet Extended Remix by Marcus Schössow is in C major, or 8B on the Camelot wheel.

What BPM is Lionheart - Supernatet Extended Remix?

Lionheart - Supernatet Extended Remix runs at 130 BPM, a peak-time tempo track.

What mixes well with Lionheart - Supernatet Extended Remix?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Lionheart - Supernatet Extended Remix good for peak time?

With energy 84 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 130 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 84/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More electro

More from Marcus Schössow

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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