Falling Again by Kintar cover art

Falling Again

Kintar

30s preview

Key
10B · D major
BPM
130
Open Key
3d
Energy
78/100
Pop
0/100
Length
8:31
Released
2011
Album
Carpe Diem
Genre
Progressive House
Label
Sudam Recordings
Loudness
-8.6 dB
Dynamics
10.4 dB
ISRC
BEY921107036

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo progressive house cut, Falling Again sits in D major (10B) at 130 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2011 production that still circulates in sets. More underground than 99% of Kintar's catalogue. For programming, treat it as a peak-time weapon.

Low end:
more bass-heavy than 85% of Kintar's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy78
Mood34Balanced
Groove71
Acoustic0
Instrumental85
Live52
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
39%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Falling Again in?

Falling Again by Kintar is in D major, or 10B on the Camelot wheel.

What BPM is Falling Again?

Falling Again runs at 130 BPM, a peak-time tempo track.

What mixes well with Falling Again?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Falling Again good for peak time?

With energy 78 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 78/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More progressive house

More from Kintar

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track