The Last Pluck (Orjan Nilsen Remix)
30s preview
- BPM
- 132
- Open Key
- 7d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 6:42
- Released
- 2008
- Genre
- Progressive House
- Loudness
- -10.9 dB
- Dynamics
- 11.3 dB
- ISRC
- NLC280810660
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo progressive house cut, The Last Pluck (Orjan Nilsen Remix) sits in F♯ major (2B) at 132 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2008 production that still circulates in sets. More underground than 99% of Marcus Schössow's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 90% of Marcus Schössow's catalogue
- Brightness:
- brighter than 90% of Marcus Schössow's catalogue
- Groove:
- groovier than 87% of Marcus Schössow's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The Last Pluck (Orjan Nilsen Remix) in?
The Last Pluck (Orjan Nilsen Remix) by Marcus Schössow is in F♯ major, or 2B on the Camelot wheel.
What BPM is The Last Pluck (Orjan Nilsen Remix)?
The Last Pluck (Orjan Nilsen Remix) runs at 132 BPM, a peak-time tempo track.
What mixes well with The Last Pluck (Orjan Nilsen Remix)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is The Last Pluck (Orjan Nilsen Remix) good for peak time?
With energy 78 out of 100 at 132 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 132 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More progressive house
More from Marcus Schössow
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
