Monochrome by Matthew Dekay cover art

Monochrome

Matthew Dekay

Key
3A · B♭ minor
BPM
130
Open Key
8m
Energy
79/100
Pop
0/100
Length
9:12
Released
2004
Album
Space Mountain Tablet EP
Genre
Progressive House
Loudness
-10.7 dB
ISRC
NLHR21500373

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Monochrome runs 130 BPM in B♭ minor (3A), a peak-time tempo progressive house record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. More underground than 99% of Matthew Dekay's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
faster than 75% of Matthew Dekay's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy79
Mood46Balanced
Groove80
Acoustic2
Instrumental86
Live54
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Monochrome in?

Monochrome by Matthew Dekay is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Monochrome?

Monochrome runs at 130 BPM, a peak-time tempo track.

What mixes well with Monochrome?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Monochrome good for peak time?

With energy 79 out of 100 at 130 BPM, it works best as a peak-time weapon.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 130 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 79/100).

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

More progressive house

More from Matthew Dekay

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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