Lost In A Moment - Dixon Rework
30s preview
- BPM
- 123
- Open Key
- 4m
- Energy
- 64/100
- Pop
- 35/100
- Length
- 9:22
- Released
- 2012
- Album
- Lost In A Moment EP
- Genre
- Deep House
- Label
- Innervisions
- Loudness
- -13.7 dB
- Dynamics
- 12.1 dB
- ISRC
- DEEC31200018
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost in a Momentoriginal11B · 123
Against the original (11B at 123 BPM), this version holds the same tempo and moves the key from 11B to 11A.
Lost In A Moment - Dixon Rework is a club-tempo deep house track in F♯ minor (11A) at 123 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. Better known than 97% of Matthew Dekay's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 96% of Matthew Dekay's catalogue
- Brightness:
- darker than 82% of Matthew Dekay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Lost In A Moment - Dixon Rework in?
Lost In A Moment - Dixon Rework by Matthew Dekay is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Lost In A Moment - Dixon Rework?
Lost In A Moment - Dixon Rework runs at 123 BPM, a club-tempo track.
What mixes well with Lost In A Moment - Dixon Rework?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Lost In A Moment - Dixon Rework good for peak time?
With energy 64 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from Matthew Dekay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
