Lost In A Moment - Dixon Rework
30s preview
- BPM
- 123
- Open Key
- 4m
- Energy
- 64/100
- Pop
- 35/100
- Length
- 9:22
- Released
- 2012
- Album
- Lost In A Moment EP
- Genre
- Deep House
- Label
- Innervisions
- Loudness
- -13.7 dB
- Dynamics
- 12.1 dB
- ISRC
- DEEC31200018
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Lost In A Moment - Dixon Rework: club-tempo deep house, F♯ minor (11A), 123 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2012 production that still circulates in sets. Better known than 98% of Lee Burridge's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 92% of Lee Burridge's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Lost In A Moment - Dixon Rework in?
Lost In A Moment - Dixon Rework by Lee Burridge is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Lost In A Moment - Dixon Rework?
Lost In A Moment - Dixon Rework runs at 123 BPM, a club-tempo track.
What mixes well with Lost In A Moment - Dixon Rework?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Lost In A Moment - Dixon Rework good for peak time?
With energy 64 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 123 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More deep house
More from Lee Burridge
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
