Satellite Girl by Lee Burridge cover art

Satellite Girl

Lee Burridge

Key
12A · D♭ minor
BPM
120
Open Key
5m
Energy
61/100
Pop
30/100
Length
8:17
Released
2021
Genre
Tech House
Loudness
-10.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Satellite Girl runs 120 BPM in D♭ minor (12A), a club-tempo tech house record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Better known than 92% of Lee Burridge's catalogue. In a set it works best as a mid-set roller.

Brightness:
darker than 88% of Lee Burridge's catalogue
Tempo:
slower than 85% of Lee Burridge's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy61
Mood16Dark
Groove81
Acoustic0
Instrumental92
Live5
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Satellite Girl in?

Satellite Girl by Lee Burridge is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Satellite Girl?

Satellite Girl runs at 120 BPM, a club-tempo track.

What mixes well with Satellite Girl?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Satellite Girl good for peak time?

With energy 61 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 120 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More tech house

More from Lee Burridge

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track