Trojan
30s preview
- Key
- 9B · G major
- BPM
- 120
- Open Key
- 2d
- Energy
- 60/100
- Pop
- 0/100
- Length
- 6:10
- Released
- 2016
- Album
- Relatively Definitely
- Genre
- Tech House
- Loudness
- -10.3 dB
- Dynamics
- 18.1 dB
- ISRC
- DEH741603273
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Trojanoriginal9B · 120
A club-tempo tech house cut, Trojan sits in G major (9B) at 120 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). A 2016 production that still circulates in sets. More underground than 99% of Oliver Schories's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 97% of Oliver Schories's catalogue
- Low end:
- more treble-tilted than 93% of Oliver Schories's catalogue
- Brightness:
- brighter than 80% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 32%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Trojan in?
Trojan by Oliver Schories is in G major, or 9B on the Camelot wheel.
What BPM is Trojan?
Trojan runs at 120 BPM, a club-tempo track.
What mixes well with Trojan?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Trojan good for peak time?
With energy 60 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
