Everything Is Wrong - Solomun Stripped Remix
30s preview
- BPM
- 120
- Open Key
- 3d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 9:22
- Released
- 2016
- Album
- Everything Is Wrong (Solomun Remixes)
- Genre
- Tech House
- Loudness
- -12.6 dB
- Dynamics
- 11.0 dB
- ISRC
- DEDH71600025
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Everything Is Wrong - Solomun Remixremix10A · 120
Everything Is Wrong - Solomun Stripped Remix: club-tempo tech house, D major (10B), 120 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. More underground than 99% of Solomun's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 94% of Solomun's catalogue
- Low end:
- more bass-heavy than 88% of Solomun's catalogue
- Brightness:
- darker than 79% of Solomun's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Everything Is Wrong - Solomun Stripped Remix in?
Everything Is Wrong - Solomun Stripped Remix by Solomun is in D major, or 10B on the Camelot wheel.
What BPM is Everything Is Wrong - Solomun Stripped Remix?
Everything Is Wrong - Solomun Stripped Remix runs at 120 BPM, a club-tempo track.
What mixes well with Everything Is Wrong - Solomun Stripped Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Everything Is Wrong - Solomun Stripped Remix good for peak time?
With energy 62 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Solomun
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
