Wondering (original mix)
30s preview
- BPM
- 120
- Open Key
- 4m
- Energy
- 62/100
- Pop
- 15/100
- Length
- 7:13
- Released
- 2015
- Genre
- Progressive House
- Loudness
- -6.6 dB
- Dynamics
- 13.5 dB
- ISRC
- GBEWA1500730
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Wondering - Radio Editversion11A · 120
A club-tempo progressive house cut, Wondering (original mix) sits in F♯ minor (11A) at 120 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2015 production that still circulates in sets. Slower than 94% of Yotto's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 93% of Yotto's catalogue
- Low end:
- more treble-tilted than 86% of Yotto's catalogue
- Energy:
- calmer than 85% of Yotto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Wondering (original mix) in?
Wondering (original mix) by Yotto is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Wondering (original mix)?
Wondering (original mix) runs at 120 BPM, a club-tempo track.
What mixes well with Wondering (original mix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Wondering (original mix) good for peak time?
With energy 62 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 120 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Yotto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
