Another Riff for the Good Times
30s preview
- BPM
- 121
- Open Key
- 8d
- Energy
- 67/100
- Pop
- 53/100
- Length
- 3:49
- Released
- 2020
- Genre
- Progressive House
- Loudness
- -8.2 dB
- Dynamics
- 9.5 dB
- ISRC
- GBEWA1907070
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Another Riff For The Good Times - Extended Mixversion3A · 121
A club-tempo progressive house cut, Another Riff for the Good Times sits in D♭ major (3B) at 121 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 99% of Yotto's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 90% of Yotto's catalogue
- Groove:
- groovier than 79% of Yotto's catalogue
- Energy:
- calmer than 78% of Yotto's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Another Riff for the Good Times in?
Another Riff for the Good Times by Yotto is in D♭ major, or 3B on the Camelot wheel.
What BPM is Another Riff for the Good Times?
Another Riff for the Good Times runs at 121 BPM, a club-tempo track.
What mixes well with Another Riff for the Good Times?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Another Riff for the Good Times good for peak time?
With energy 67 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 121 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More progressive house
![Make It Mine [Mix Cut] - Original Mix by 16BL cover art](https://i.scdn.co/image/ab67616d00001e021b1352a1f6efab0d87cda51d){kind=small}
![String Theory For Beginners [Mix Cut] - Original Mix by 16BL cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c1c7c46ad73130338156.webp){kind=small}
More from Yotto
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
