
Satellite Girl
30s preview
- BPM
- 120
- Open Key
- 5m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 8:17
- Released
- 2021
- Album
- Leee EP
- Genre
- Tech House
- Loudness
- -10.1 dB
- Dynamics
- 25.0 dB
- ISRC
- UKSP42100001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Satellite Girloriginal12A · 120
- Satellite Girl - Tim Green Remixremix3A · 120
At 120 BPM in D♭ minor (12A), Satellite Girl is a club-tempo tech house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 25 dB). More underground than 99% of Lee Burridge's catalogue.
- Low end:
- more treble-tilted than 89% of Lee Burridge's catalogue
- Brightness:
- darker than 87% of Lee Burridge's catalogue
- Tempo:
- slower than 85% of Lee Burridge's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 24%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 26%
- High
- 2.5-11 kHz
FAQ
What key is Satellite Girl in?
Satellite Girl by Lee Burridge is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Satellite Girl?
Satellite Girl runs at 120 BPM, a club-tempo track.
What mixes well with Satellite Girl?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Satellite Girl good for peak time?
With energy 61 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 120 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Lee Burridge
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.