Scars In The Sky - Hari Erhardt Remix
30s preview
- BPM
- 120
- Open Key
- 6m
- Energy
- 60/100
- Pop
- 3/100
- Length
- 7:19
- Released
- 2016
- Album
- Scars In The Sky
- Genre
- Tech House
- Loudness
- -10.1 dB
- Dynamics
- 9.4 dB
- ISRC
- DEY471613715
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Scars In The Sky - Armen Miran Remixremix1A · 112
- Scars In The Sky - Kleintierschaukel Remixremix11A · 112
- Scars In The Skyoriginal11A · 114
Against the original (11A at 114 BPM), this version runs 6 BPM faster and moves the key from 11A to 1A.
Scars In The Sky - Hari Erhardt Remix is a club-tempo tech house track in A♭ minor (1A) at 120 BPM. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More bass-heavy than 83% of Just Emma's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 80% of Just Emma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Scars In The Sky - Hari Erhardt Remix in?
Scars In The Sky - Hari Erhardt Remix by Just Emma is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Scars In The Sky - Hari Erhardt Remix?
Scars In The Sky - Hari Erhardt Remix runs at 120 BPM, a club-tempo track.
What mixes well with Scars In The Sky - Hari Erhardt Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Scars In The Sky - Hari Erhardt Remix good for peak time?
With energy 60 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 120 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Just Emma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
