Second Chances - Just Emma Remix
30s preview
- Key
- 8A · A minor
- BPM
- 114
- Open Key
- 1m
- Energy
- 73/100
- Pop
- 10/100
- Length
- 8:52
- Released
- 2023
- Album
- Second Chances
- Genre
- Tech House
- Loudness
- -8.7 dB
- Dynamics
- 14.6 dB
- ISRC
- DEPQ62301355
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Second Chances - Just Emma Remix runs 114 BPM in A minor (8A), a mid-tempo tech house record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 15 dB). Darker than 99% of Just Emma's catalogue.
- Low end:
- more treble-tilted than 92% of Just Emma's catalogue
- Energy:
- hotter than 90% of Just Emma's catalogue
- Reach:
- better known than 81% of Just Emma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Second Chances - Just Emma Remix in?
Second Chances - Just Emma Remix by Just Emma is in A minor, or 8A on the Camelot wheel.
What BPM is Second Chances - Just Emma Remix?
Second Chances - Just Emma Remix runs at 114 BPM, a mid-tempo track.
What mixes well with Second Chances - Just Emma Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Second Chances - Just Emma Remix good for peak time?
With energy 73 out of 100 at 114 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 114 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 107-121 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 114 — beatmatch without a big tempo pull.
More tech house
More from Just Emma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 114 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
