Scars In The Sky - Armen Miran Remix
30s preview
- BPM
- 112
- Open Key
- 6m
- Energy
- 63/100
- Pop
- 36/100
- Length
- 6:11
- Released
- 2016
- Album
- Scars In The Sky
- Genre
- Tech House
- Loudness
- -12.0 dB
- Dynamics
- 11.7 dB
- ISRC
- DEY471613713
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Scars In The Sky - Kleintierschaukel Remixremix11A · 112
- Scars In The Skyoriginal11A · 114
- Scars In The Sky - Hari Erhardt Remixremix1A · 120
Against the original (11A at 114 BPM), this version runs 2 BPM slower and moves the key from 11A to 1A.
A mid-tempo tech house cut, Scars In The Sky - Armen Miran Remix sits in A♭ minor (1A) at 112 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Better known than 99% of Just Emma's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 95% of Just Emma's catalogue
- Tempo:
- slower than 84% of Just Emma's catalogue
- Brightness:
- brighter than 76% of Just Emma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Scars In The Sky - Armen Miran Remix in?
Scars In The Sky - Armen Miran Remix by Just Emma is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Scars In The Sky - Armen Miran Remix?
Scars In The Sky - Armen Miran Remix runs at 112 BPM, a mid-tempo track.
What mixes well with Scars In The Sky - Armen Miran Remix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Scars In The Sky - Armen Miran Remix good for peak time?
With energy 63 out of 100 at 112 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 112 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 105-119 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 112 — beatmatch without a big tempo pull.
More tech house
More from Just Emma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 112 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
