Fame or Shame? by Amtrac cover art

Fame or Shame?

Amtrac

30s preview

Key
12A · D♭ minor
BPM
110
Open Key
5m
Energy
62/100
Pop
0/100
Length
4:04
Released
2011
Genre
House
Loudness
-12.0 dB
Dynamics
17.4 dB
ISRC
TCABA1158247

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Fame or Shame? runs 110 BPM in D♭ minor (12A), a mid-tempo house record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2011 production that still circulates in sets. More underground than 99% of Amtrac's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 94% of Amtrac's catalogue
Energy:
calmer than 82% of Amtrac's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy62
Mood42Balanced
Groove69
Acoustic42
Instrumental59
Live17
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Fame or Shame? in?

Fame or Shame? by Amtrac is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Fame or Shame??

Fame or Shame? runs at 110 BPM, a mid-tempo track.

What mixes well with Fame or Shame??

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Fame or Shame? good for peak time?

With energy 62 out of 100 at 110 BPM, it works best as a mid-set roller.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 110 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 110 — beatmatch without a big tempo pull.

More house

More from Amtrac

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track