One More Hour
30s preview
- BPM
- 133
- Open Key
- 3d
- Energy
- 54/100
- Pop
- 38/100
- Length
- 5:38
- Released
- 2024
- Genre
- House
- Loudness
- -10.6 dB
- Dynamics
- 15.5 dB
- ISRC
- QMEFH2410004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- One More Hour - Tom VR Anthemix - Editversion10A · 145
- One More Houroriginal10A · 145
One More Hour is a peak-time tempo house track in D major (10B) at 133 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Better known than 94% of Amtrac's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 92% of Amtrac's catalogue
- Tempo:
- faster than 90% of Amtrac's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is One More Hour in?
One More Hour by Amtrac is in D major, or 10B on the Camelot wheel.
What BPM is One More Hour?
One More Hour runs at 133 BPM, a peak-time tempo track.
What mixes well with One More Hour?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is One More Hour good for peak time?
With energy 54 out of 100 at 133 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 133 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 125-141 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 133 — beatmatch without a big tempo pull.
More house
More from Amtrac
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 133 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
