Rip Tie Cut Toy Man
30s preview
- BPM
- 132
- Open Key
- 4m
- Energy
- 55/100
- Pop
- 0/100
- Length
- 5:50
- Released
- 2019
- Genre
- Techno
- Loudness
- -17.3 dB
- Dynamics
- 9.5 dB
- ISRC
- GBR8R1800497
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo techno cut, Rip Tie Cut Toy Man sits in F♯ minor (11A) at 132 BPM. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Nicolas Bougaïeff's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 90% of Nicolas Bougaïeff's catalogue
- Low end:
- more bass-heavy than 83% of Nicolas Bougaïeff's catalogue
- Groove:
- groovier than 78% of Nicolas Bougaïeff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Rip Tie Cut Toy Man in?
Rip Tie Cut Toy Man by Nicolas Bougaïeff is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Rip Tie Cut Toy Man?
Rip Tie Cut Toy Man runs at 132 BPM, a peak-time tempo track.
What mixes well with Rip Tie Cut Toy Man?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Rip Tie Cut Toy Man good for peak time?
With energy 55 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 132 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More techno
More from Nicolas Bougaïeff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
