Shaded - Jesper Dahlbäck's Lost Remix
30s preview
- Key
- 1B · B major
- BPM
- 132
- Open Key
- 6d
- Energy
- 57/100
- Pop
- 0/100
- Length
- 7:17
- Released
- 2008
- Album
- Shaded EP
- Genre
- Techno
- Loudness
- -7.3 dB
- Dynamics
- 10.1 dB
- ISRC
- CAT390700240
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shadedoriginal12A · 140
- Shaded - Clouded Vision's Acid Dubversion1A · 120
- Shaded - Compuphonic & Kolombo Remixremix4A · 128
- Shaded - Shaded Compuphonic & Kolombo Dubversion3B · 128
- Shaded (feat. Krister)original12A · 140
Against the original (12A at 140 BPM), this version runs 8 BPM slower and moves the key from 12A to 1B.
Shaded - Jesper Dahlbäck's Lost Remix is a peak-time tempo techno track in B major (1B) at 132 BPM. The feel is bright and easy. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2008 production that still circulates in sets. Brighter than 99% of Cari Lekebusch's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Cari Lekebusch's catalogue
- Energy:
- calmer than 92% of Cari Lekebusch's catalogue
- Groove:
- less groove-driven than 85% of Cari Lekebusch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Shaded - Jesper Dahlbäck's Lost Remix in?
Shaded - Jesper Dahlbäck's Lost Remix by Cari Lekebusch is in B major, or 1B on the Camelot wheel.
What BPM is Shaded - Jesper Dahlbäck's Lost Remix?
Shaded - Jesper Dahlbäck's Lost Remix runs at 132 BPM, a peak-time tempo track.
What mixes well with Shaded - Jesper Dahlbäck's Lost Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Shaded - Jesper Dahlbäck's Lost Remix good for peak time?
With energy 57 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 132 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More techno
More from Cari Lekebusch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
