Creeping
- Key
- 8B · C major
- BPM
- 132
- Open Key
- 1d
- Energy
- 62/100
- Pop
- 24/100
- Length
- 6:55
- Released
- 2014
- Genre
- Techno
- Loudness
- -14.7 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo techno cut, Creeping sits in C major (8B) at 132 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. Better known than 86% of DVS1's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 83% of DVS1's catalogue
- Tempo:
- slower than 81% of DVS1's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Creeping in?
Creeping by DVS1 is in C major, or 8B on the Camelot wheel.
What BPM is Creeping?
Creeping runs at 132 BPM, a peak-time tempo track.
What mixes well with Creeping?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Creeping good for peak time?
With energy 62 out of 100 at 132 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 132 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 124-140 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 132 — beatmatch without a big tempo pull.
More techno
More from DVS1
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 132 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
