Ass Chemistry
30s preview
- BPM
- 131
- Open Key
- 6m
- Energy
- 63/100
- Pop
- 23/100
- Length
- 4:02
- Released
- 2025
- Album
- 9 Lives EP
- Genre
- Tech House
- Loudness
- -10.8 dB
- Dynamics
- 12.9 dB
- ISRC
- GBKQU2548496
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Ass Chemistry: peak-time tempo tech house, A♭ minor (1A), 131 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 98% of Rich NxT's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 92% of Rich NxT's catalogue
- Low end:
- more treble-tilted than 89% of Rich NxT's catalogue
- Groove:
- less groove-driven than 88% of Rich NxT's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Ass Chemistry in?
Ass Chemistry by Rich NxT is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Ass Chemistry?
Ass Chemistry runs at 131 BPM, a peak-time tempo track.
What mixes well with Ass Chemistry?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Ass Chemistry good for peak time?
With energy 63 out of 100 at 131 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 131 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More tech house
More from Rich NxT
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
