Shaded - Clouded Vision's Acid Dub
30s preview
- BPM
- 120
- Open Key
- 6m
- Energy
- 81/100
- Pop
- 0/100
- Length
- 6:27
- Released
- 2008
- Album
- Shaded EP
- Genre
- Techno
- Loudness
- -8.6 dB
- Dynamics
- 11.5 dB
- ISRC
- CAT390700241
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Shadedoriginal12A · 140
- Shaded - Compuphonic & Kolombo Remixremix4A · 128
- Shaded - Jesper Dahlbäck's Lost Remixremix1B · 132
- Shaded - Shaded Compuphonic & Kolombo Dubversion3B · 128
- Shaded (feat. Krister)original12A · 140
Against the original (12A at 140 BPM), this version runs 20 BPM slower and moves the key from 12A to 1A.
Shaded - Clouded Vision's Acid Dub is a club-tempo techno track in A♭ minor (1A) at 120 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2008 production that still circulates in sets. More underground than 99% of Cari Lekebusch's catalogue.
- Tempo:
- slower than 97% of Cari Lekebusch's catalogue
- Groove:
- less groove-driven than 96% of Cari Lekebusch's catalogue
- Low end:
- more treble-tilted than 81% of Cari Lekebusch's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Shaded - Clouded Vision's Acid Dub in?
Shaded - Clouded Vision's Acid Dub by Cari Lekebusch is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Shaded - Clouded Vision's Acid Dub?
Shaded - Clouded Vision's Acid Dub runs at 120 BPM, a club-tempo track.
What mixes well with Shaded - Clouded Vision's Acid Dub?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Shaded - Clouded Vision's Acid Dub good for peak time?
With energy 81 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 120 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More techno
More from Cari Lekebusch
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
